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Course: The Museum of Modern Art > Unit 1
Lesson 2: 1913 Centennial Celebration- Pablo Picasso, Guitar, Glass, and Bottle
- Umberto Boccioni, "Dynamism of a Soccer Player"
- Louis Comfort Tiffany, Vase
- Vasily Kandinsky, "Klänge (Sounds)"
- Fernand Léger, "Contrast of Forms"
- Lois Weber and Phillips Smalley, "Suspense"
- Giorgio de Chirico, "The Anxious Journey"
- Olga Rozanova, "A Little Duck's Nest... of Bad Words"
- Léon Bakst, "Costume design for the ballet The Firebird"
- Constantin Brancusi, "Mlle Pogany"
- Robert Delaunay, "Simultaneous Contrasts: Sun and Moon"
- D. W. Griffith, "The Mothering Heart"
- Emil Nolde, "Young Couple," 1913
- Léopold Survage, "Colored Rhythm: Study for the Film"
- Ludwig Hohlwein, "Kaffee Hag"
- Mack Sennett, "Barney Oldfield's Race for a Life"
- Louis Raemaekers, "Tegen de Tariefwet, Vliegt niet in't Web!"
- "Composition in Brown and Gray," Piet Mondrian
- Duchamp, 3 Standard Stoppages
- 1913 | Schiess-Dusseldorf by Ludwig Hohlwein
- Matisse, "The Blue Window"
- Ernst Ludwig Kirchner, "Street, Berlin"
- Frank Lloyd Wright, Midway Gardens
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Mack Sennett, "Barney Oldfield's Race for a Life"
For more information, please visit http://www.moma.org/1913. Created by The Museum of Modern Art.
Want to join the conversation?
- At1:31- was there a train really approaching, or were there special effects even then? How did they achieve this?(11 votes)
- Well I can say this - I don't think there were special effects back then.(7 votes)
- Were there stuntmen during this time?(5 votes)
- Yes and no. The movie makers paid anyone crazy enough to do the work. They were not called stuntmen yet, and they were not trained either.(4 votes)
- Does anyone know if this is the first example of a chase scene in cinema?(4 votes)
- I searched, but was unable to find anything older; however, Wikipedia says that they've been around since the first automobiles, so I would guess so.(3 votes)
- Is this the only movie at that time were there is lots of movement ?
....... ok i will say this who is powering that train , Is the bad person the only one on the train or did he have a partner ? i don't think that a hand cart can catch up to a train...............
Ok the Bad Person's Mustache is APPROVED !!!!!!! : )(1 vote)
Video transcript
- Barney Oldfield's Race for a Life was made in 1913,
directed by Mack Sennett, and is your quintessential chase film. This film has every
single comedy chase trope that you could ever want. It has a villain with
a dastardly mustache. It has a very beautiful young woman who is tied to train tracks. It has Keystone Cops on a handcart that you often see in these films. And it also has, at
that time, a celebrity, Barney Oldfield, who was
the first man to ever race a car at 60 miles
an hour in an oval lap. So you have these three modes of action occurring all at once: the handcart, the
locomotive that is racing towards the same spot,
and Barney in the car. And it's really quite
breathtaking to watch and see who will get there first. Although it's telling what seems to be an old-fashioned story,
it's also telling a story that's all about speed
and movement and motion. And I kept thinking
about Italian futurism. The Italian futurists were
very interested in dynamism, movement of all kinds, whether it be the movement of a train in the city, a gull flying through the sky, or the Boccioni painting
of the Soccer Player. Translate that static
movement from the canvas to a film like Barney
Oldfield, and you have this interrelationship of
futurism to the cinema. Both deal with these
complex notions of movement.