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Willem Kalf, Still Life with a Silver Ewer

Video transcript

we're in the Rijksmuseum in Amsterdam and we're looking at a still life by one of the 17th century's best-known still-life painters met his name is Willem Kolff and this painting is called still life is silver yu-er and the silver year is pretty fabulous and ostentatious and luxurious but then there's that gold goblet stand behind it and that glass goblet with a fabulously complicated stem and then of course that Chinese styled porcelain beau may be from China next cough is actually known for including Chinese ceramics in his still eyes these were fabulously precious objects and it's an important reminder when looking at still lives that what we're looking at are real treasures these are things that really speak to the wealth and prosperity of Holland in the 17th century still life is an old subject matter in artistry but really comes into its own in the 17th century but if we go back a little bit in the 15th century we notice in paintings for example by Robert camp an beautiful still life objects included in paintings but they are always within a religious context often with symbolic religious meaning but here not within that explicitly religious content it's subtler but there is still very much a moral message if you look at the lower right corner you can see that there is the watch you can see it's glass case has been opened and you can just make out the hands of that ornate gold clock and it add as a reminder of time which in turn is a reminder of our mortality our eventual death and so even though we might be enjoying literally the fruits of life all of this will come to an end we're also reminded about the passage of time in that lemon that's been key old which we see so often in Dutch so life painting fruit that's been peeled begins to rot so again that sense of the passage of time and the inevitability of death but look at the surface of that lemon look at the way that the artist is just in love with being able to use his extraordinary technique to define every bump of the surface of the rind the cooler almost spongy texture of the white just below the rind and then the surface of the fruit itself all of which is just spectacular this is a lemon but it's almost as if it was a gem that attention to surface that attention to the sparkling detail can be seen in the glass and the silver and of course the cooled quality of the surface of the porcelain I love the bulges on the lemon that sits on the table but also a little bit off the table and in our space it's also close we could reach out and touch it and enjoy it ourselves and so in that way it reminds us about the pleasures of life very palpably but it's also something Ben Heron leaked Wyatt and almost spiritual about the way that light is handled in this painting you have light coming from the upper left behind us light layer is entering into this architectural niche which is very dark and allows for this beautiful highlighting almost this stage for these objects and you have the reflectivity but then you also have places where one object reflects another object for instance the lower right of the silver vaz is reflecting the yellow of the lemon and then looked at the way that light reflects off of and also passes through the glass at the center top creating both shadow and illuminated shadow at the same time and it looks like on the bottom foot of that silver picture we can see the reflection of a window in this description of texture in the reflectivity we see a continuous tradition going back to artists like camp and Van Dyck a very specifically northern tradition that here we see several hundred years later in this beautiful still life painting by villain pal