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Art of Asia
Course: Art of Asia > Unit 3
Lesson 7: Joseon dynasty (1392–1897)- The Joseon dynasty (1392–1910)
- Inheritance Document of Yi Seonggye, founder of the Joseon Dynasty
- Album of Poems on “Eight Views of the Xiao and Xiang Rivers”
- Bongsa Joseon Changhwa Sigwon: Poems Exchanged by Joseon Officials and Ming Envoys
- Portrait of Sin Sukju
- Four Preaching Buddhas
- Sajeongjeon Edition of The Annotated Zizhi Tongjian
- White porcelain moon jars
- Moon jar
- Buncheong Jar with cloud and dragon design
- Blue-and-white Porcelain Jar with Plum, Bamboo, and Bird Design
- Yun Baek-ha, a calligraphic handscroll
- Kim Hongdo, album of genre paintings
- Yi Che-gwan, Portrait of a Confucian scholar
- Yun Du-seo, Portrait of Sim Deukgyeong
- Portrait of Kang Sehwang
- Yi Myeonggi and Kim Hongdo, Portrait of Seo Jiksu
- Portrait of Yi Chae
- Kim Jeonghui’s calligraphy of Kim Yugeun’s Autobiography of Mukso
- Chaekgeori-type screen
- Portrait of Yi Haeung, Regent Heungseon Daewongun
- Jar with tiger and magpie
- Gujangbok, a ceremonial robe symbolizing the king’s prestige
- Jeogui: the most formal ceremonial robe of the Joseon queens
- Jeong Sanggi, Dongguk Daejido (“Complete Map of the Eastern Country”)
- Cheonggu Gwanhaebang Chongdo, or “Map for the National Defense of Korea”
- Kim Jeongho, woodblocks of Daedongnyeojido (“Territorial Map of the Great East”)
- Royal palaces of Seoul
- Confucian scholar's house
- Nine Cloud Dream
- Conservation: Korean lacquer
- Dhratarastra, Guardian King of the East
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Jar with tiger and magpie
"Once upon a time long, long ago when the tiger smoked a pipe . . ." This familiar phrase, used at the beginning of Korean children's stories, is represented literally on this jar in underglaze cobalt. The tiger-and-magpie theme is a popular motif in Korean folk painting. In the past, Koreans believed that tigers embodied the spirit of mountains and possess the power to ward off all evil and harm, and that magpies are harbingers of good news.
Porcelain wares with underglaze-cobalt decoration began to be produced in Korea during the fifteenth century, with imported cobalt from China. According to the fifteenth-century scholar Seong Hyeon (1439–1504), King Sejo (r. 1455–1468) used both undecorated and underglaze-cobalt-decorated porcelain, while King Sejong (4. 1418–1450) was served only in porcelain wares. Although native cobalt was discovered in 1463, potters preferred imported cobalt because the native cobalt contained manganese, which turned dark during firing, rather than clear blue favored by Koreans.
Want to join the conversation?
- how is cobalt etched into the pot? is it printed or is it drawn on(4 votes)
- cobalt is the mineral that, when fired, gives a blue color. The porcelain vase had designs painted on it with a cobalt based glaze, then it was fired in a kiln, and the stuff painted with the cobalt based paint came out blue.(5 votes)