Main content

Art of Asia

Course: Art of Asia > Unit 1

Lesson 2: Buddhist art and culture, an introduction

Bodhisattvas, an introduction

Essay by Mei Mei Chan

Kneeling Attendant Bodhisattva, late 7th century (Tang dynasty), unfired clay mixed with fibers and straw modeled over wooden armature; with polychromy and gilding, from Mogao Cave 328, Dunhuang, China, Gansu province, 122 cm high (Harvard Art Museums)

What is a bodhisattva?

In Sanskrit, bodhisattva roughly means: "being who intends to become a buddha."

In the

tradition of Buddhism, the Buddha referred to himself as bodhisattva during all of his incarnations and lifetimes before he achieved enlightenment. It was only after he achieved buddhahood that it became proper to refer to him as the Buddha.

In the

tradition of Buddhism, a bodhisattva is any being who intends to achieve enlightenment and buddhahood.

"[...] Western literature often describes the bodhisattva as someone who postpones his enlightenment in order to save all beings from suffering [...] by choosing this longer course, he perfects himself over many lifetimes in order to achieve the superior enlightenment of a buddha at a point in the far-distant future [...]"

The Princeton Dictionary of Buddhism, edited by Robert E. Buswell and Donald S. Lopez, p. 134.

In Buddhist artistic traditions, there are many archetypal bodhisattva figures who appear repeatedly. In this essay we will look at five of them.

These specific bodhisattva figures may be depicted as either male or female, depending on the geographic context and the iconographic traditions of that culture.

Paintings of two archetypal bodhisattva figures are found in the Ajanta Caves in Maharashta, India. These figures flank a statue of the Buddha. The one on the left is named Padmapani, and the one to the right is named Vajrapani.

Another artwork from Indonesia features the same theme. The Buddha sits in the center flanked by the two bodhisattvas: Padmapani on the left and Vajrapani on the right.

Avalokitesvara

Padmapani is another name in Sanskrit for Bodhisattva Avalokitesvara, who represents the compassion of all of the Buddhas.

In China, the Bodhisattva Avalokitesvara goes by the name Guanyin. Chinese art often depicts Avalokitesvara as female.

Vajrapani

The Bodhisattva Vajrapani represents the power of all the Buddhas, and he protects the Buddha. Below he is depicted wielding a lightning-bolt scepter in his left hand.

Thanks to cultural contact between the

and what is today northern India, the Bodhisattva Vajrapani has a strong iconographical relationship with the Greek mythological figure of Hercules as found in

Manjusri and Samantabhadra

Besides the bodhisattvas Padmapani and Vajrapani, another pair of popular archetypal bodhisattvas are Manjusri and Samantabhadra.

In a

painting, the Buddha sits in the center with Bodhisattva Manjusri and Bodhisattva Samantabhadra at his side. This is called the Shakyamuni Trinity or Triad.

The Bodhisattva Manjusri represents the wisdom of all the Buddhas. Sometimes he is depicted holding a sword or a scepter. In China, Manjusri is known as Wenshu, and in Japan he is known as Monju.

Samantabhadra

Samantabhadra is the bodhisattva often depicted with Manjusri. The name Samantabhadra means "Universal Worthy" in Sanskrit. Samantabhadra is associated with meditation.

Manjusri

Manjusri is often depicted with a lion, as seen in a peaceful painting by Japanese artist Shūsei.

The Bodhisattva Manjusri represents the wisdom of all the Buddhas. Sometimes he is depicted holding a sword or a scepter. In China, Manjusri is known as Wenshu, and in Japan he is known as Monju.

Samantabhadra

Samantabhadra is the bodhisattva often depicted with Manjusri. The name Samantabhadra means “Universal Worthy” in Sanskrit. Samantabhadra is associated with meditation.

As seen in a mammoth ivory sculpture, this bodhisattva is often depicted sitting on an elephant. Much like Avalokitesvara, this bodhisattva is often depicted in a female form in China.