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Course: The Museum of Modern Art > Unit 1
Lesson 2: 1913 Centennial Celebration- Pablo Picasso, Guitar, Glass, and Bottle
- Umberto Boccioni, "Dynamism of a Soccer Player"
- Louis Comfort Tiffany, Vase
- Vasily Kandinsky, "Klänge (Sounds)"
- Fernand Léger, "Contrast of Forms"
- Lois Weber and Phillips Smalley, "Suspense"
- Giorgio de Chirico, "The Anxious Journey"
- Olga Rozanova, "A Little Duck's Nest... of Bad Words"
- Léon Bakst, "Costume design for the ballet The Firebird"
- Constantin Brancusi, "Mlle Pogany"
- Robert Delaunay, "Simultaneous Contrasts: Sun and Moon"
- D. W. Griffith, "The Mothering Heart"
- Emil Nolde, "Young Couple," 1913
- Léopold Survage, "Colored Rhythm: Study for the Film"
- Ludwig Hohlwein, "Kaffee Hag"
- Mack Sennett, "Barney Oldfield's Race for a Life"
- Louis Raemaekers, "Tegen de Tariefwet, Vliegt niet in't Web!"
- "Composition in Brown and Gray," Piet Mondrian
- Duchamp, 3 Standard Stoppages
- 1913 | Schiess-Dusseldorf by Ludwig Hohlwein
- Matisse, "The Blue Window"
- Ernst Ludwig Kirchner, "Street, Berlin"
- Frank Lloyd Wright, Midway Gardens
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Olga Rozanova, "A Little Duck's Nest... of Bad Words"
To learn about other great moments in modern art, take our online course, Modern Art, 1880-1945 or Pigment to Pixel: Color in Modern and Contemporary Art. Created by The Museum of Modern Art.
Want to join the conversation?
- What is the meaning of the title? What is the "duck's nest", and what are the "bad words"?(14 votes)
- What specifically was she trying to "break free" from?(4 votes)
- I'm not familiar with this artist, but there were a lot of artists in the late 1800s and early 1900s who purposefully wanted to break from the downsides felt in the aftermath of the Industrial Revolution. In this case, the artist is taking a mass-produced object (the book) and making each copy personal by hand-painting each one, creating a play on a mass produced form. William Morris, working fifty years earlier, was a key example of this mentality as of the pioneers of the Arts & Crafts movement, which was a direct reaction to the Industrial Revolution.(6 votes)
- The way he is saying it. To me it sounds kinda peaceful. But what in the world is the bad words? So did the artists make books to resemble freedom ?
p.s. is books the title
DFTBA == DON'T FORGET TO BE AWESOME!(1 vote) - What is the name of the music?(1 vote)
- The music is so nice!! Who is the artist?(0 votes)
- The song is called "Twinklebox/Old Dreams" and the artist is Emphemetry(1 vote)
Video transcript
(music playing) Christophe: 1913 is a
year of great upheaval. Artists are trying to find
new ways to develop an art which would be free from the society, at least from the bourgeois
order of the past decade. Books played a major role in that project, but not books as we know them. Some of those books were
hand-colorized by the artist, so each is unique, propose just a different
relationship between text and images. Olga Rozanova is one of the artists who pioneered this new use of books in the 2nd decade of the 20th century. Often, she worked with her companion, Aleksei Kruchenykh, a poet. "A Little Duck's Nest ... of Bad Words" is with the [tale inlay] their
most famous accomplishment. Aleksei Kruchenyk invented
a new language called Zaum. Zaum can be translated into transrational, or beyond reasons. The idea was to free
language from meaning, to free the words, to create words for the
shape or the sounds, not to be bound to a specific meaning. Books played a major role. Cheap books, small books
distributed in large edition. Books without a real binding, usually the sheets are
just stapled together. Most of those booklets were produced in rather large edition,
a few hundred copies. However, because of their
mode of distribution, they were given freely to other artists or exchanged against other works. Few of them survived, so very few copies of "The
Duck's Nest", for instance, are known today. We are very lucky that in the collection of the Museum of Modern Art, we have two copies, allowing to understand how the artist basically reinvented the text
through the illustration, each time in that process. There is something extremely radical, to be almost a place of
a performative action, which those books convey so well today. (music playing)