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Course: The J. Paul Getty Museum > Unit 2
Lesson 2: DrawingsJean-Baptiste Greuze's drawings
Jean-Baptiste Greuze was one of the most celebrated draftsmen and painters in France during the 1700s. Paintings curator Scott Schaefer talks about Greuze and his popular images of ordinary lives. Created by Getty Museum.
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- What is the drawing at1:54about?
The drawings and paintings are so beautiful!(7 votes)- This drawing is The Father’s Curse: The Ungrateful Son by Jean-Baptiste Greuze and depicts a son deserting his family, including his elderly father, to join the army. You can read more, zoom in and examine the drawing, or download a high-resolution image here: http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=28 -Maria from the Getty Museum(7 votes)
- question. if drawings were popular back then, why are they forgotten now? i mean no one wants drawn art. only place that appreciates it seems to be a tattoo parlor.(1 vote)
- maybe it was that we have new kinds of arts that's more interesting and maybe it was because that now artist are more interested in the other art(1 vote)
- did he draw historical drawings, fictional or both?(1 vote)
- After what I found on Wikipedia he drew some historcal drawings, e. g. a drawing of the emperor Severus and his son, but most of his drawings show everyyday scenes of the burgeoisie´s life and are therefore probably fictional. For his drawings representing girls and womans, which he is well known for, his student Constance Mayer often served him as a model.
Hope this helps you! :)(1 vote)
- What is the name of the song playing in the background?(1 vote)
- Are there any artists like Jean-Baptiste Greuze? Can you name them?(0 votes)
Video transcript
(classical music) Scott: Greuze must have been
able to do these drawings quite quickly but it is amazing how considerate they are and how carefully they're arranged and it really is about a
simple piece of red chalk moving very quickly across the page with the freshness and
delicacy and ability to capture not only the form, the physical
form but the feelings and moods that he must have been able to convey through his [unintelligible] (classical music) (classical music) (classical music) Scott: He starts by doing a
general quick sketch in pen and ink and in order to give the
drawing a sense of volume, a sense of space and a sense
of three dimensionality, he uses the wash to make the shadows and it brings out all the
contours of the various forms of the limbs and of the bodies, as well as the faces in a very real way. (classical music) It suddenly takes on a kind
of relief-like quality. (classical music) It's important for me
that the people looking at these kinds of drawings realize that this is as finished
in some right as a drawing and Greuze probably meant
it to be work of art. (classical music)