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Daughter by Steph Rue

As a papermaker, my studio is littered with paper scraps. For me, creating something beautiful out of scraps and remnants is a form of resistance. I think about the act of elevating that which often gets discarded, forgotten, and overlooked. Or to present broken, discarded scraps with dignity; to retell their story in a new form, with attention and care. The act of stitching, of mending these discarded pieces, is an act of hope.
A hanging made up of many small squares and rectangles of mulberry paper in various shades of tan and brown. Each square of paper has unique striations that resemble the grain on pieces of wood.
Daughter by Steph Rue, 2022. United States; Sacramento, California. Korean mulberry paper (hanji), cotton batting, cotton thread, found Bible pages, persimmon juice, inkjet print. Courtesy of the Asian Art Museum, Gift of Steph Rue. 2023.35

Steph Rue: Artist’s Voice

As a papermaker, my studio is littered with paper scraps. For me, creating something beautiful out of scraps and remnants is a form of resistance. I think about the act of elevating that which often gets discarded, forgotten, and overlooked. Or to present broken, discarded scraps with dignity; to retell their story in a new form, with attention and care. The act of stitching, of mending these discarded pieces, is an act of hope.
This quilt is a letter to my daughter. It is an offering of safety, a beacon, a reminder. I’ve been thinking a lot about this idea of safety, in light of increased and ongoing anti-Asian violence, especially towards Asian women. I included images of my daughter’s great-grandmothers, grandmothers, and mother (myself). Texts are from the Bible or Buddhist prayers that my daughter’s great-grandmothers would chant repeatedly, to fortify themselves.
Growing up, I was instructed to memorize Bible verses as a child. My hope is that my daughter, all daughters, remember this “verse” and write it on their hearts: “Daughter, you deserve to be safe.”

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