Main content
Global cultures 1980–now
Course: Global cultures 1980–now > Unit 1
Lesson 9: Mapping and migration- Julie Mehretu, Stadia II
- Mehretu, Stadia II
- Doris Salcedo's "Shibboleth"
- Doris Salcedo, Shibboleth
- Salcedo, Shibboleth
- Doris Salcedo, Shibboleth
- Raúl de Nieves, Beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end
- Julie Mehretu: Politicized Landscapes
- An interview with Alfredo Jaar: Gramsci & Pasolini
- Jamie Wyeth, Kalounna in Frogtown
- Yto Barrada, Ceuta Border, Illegally Crossing the Border into the Spanish Enclave of Ceuta, Tangier
- Suchitra Mattai, Exodus
- Tanya Aguiñiga, Metabolizing the Border
- Rafael Lozano-Hemmer, Border Tuner
- Postcommodity arts collective
- Richard Misrach, Border Cantos
- Minerva Cuevas, Crossing of the Rio Bravo
- Jaime Carrejo, "Border/Land"
- Guadalupe Maravilla, Requiem For My Border Crossing
© 2023 Khan AcademyTerms of usePrivacy PolicyCookie Notice
Jaime Carrejo, "Border/Land"
Video by El Paso Museum of Art
Artist Jaime Carrejo shares the concept behind his installation Border/Land at the El Paso Museum of Art.
Jaime Carrejo, Border/Land, 2018, neon, aluminum, bass plywood, foam, felt, mirrored acrylic, acrylic paint, and epoxy. EPMA, 2017 Members Choice purchase with funds provided by the Robert U. and Mabel O. Lipscomb Foundation Endowment. Created by Smarthistory.
Artist Jaime Carrejo shares the concept behind his installation Border/Land at the El Paso Museum of Art.
Jaime Carrejo, Border/Land, 2018, neon, aluminum, bass plywood, foam, felt, mirrored acrylic, acrylic paint, and epoxy. EPMA, 2017 Members Choice purchase with funds provided by the Robert U. and Mabel O. Lipscomb Foundation Endowment. Created by Smarthistory.