(light piano music) - [Voiceover] We're in the
Etruscan Museum in Rome and we're looking at one of
the most important objects ever found in an Etruscan tomb and there were a lot of Etruscan tombs. - [Voiceover] Well this is the primary way we know about Etruscan culture. They left us no literature, no history. But we have a lot of their artwork, which is found in tombs and a lot of those have inscriptions. - [Voiceover] This is the
Sarcophagus of the Spouses. There were two well
known versions of this: One is in Paris at the Louvre and the other is here in Rome. So this is a large ceramic container and the two figures are essentially a lid that can be lifted off. - [Voiceover] The Etruscans
occupied the area of Northern Italy and it's
an interesting time because at the same
moment there are Romans who are occupying the city of Rome and south of that there
are Greek colonies. - [Voiceover] But the Romans were not yet Rome as we know it. They were just beginning and in fact they were
ruled by Etruscan kings. - [Voiceover] Right
and it wasn't until 509 that the Romans ousted
the last Etruscan king. And this dates from
slightly earlier than that. - [Voiceover] So let's look at the couple. - [Voiceover] Well they're
incredibly life-like and this is surprising
because when we think about ancient Greek
sculpture from this time, we might think of the Kouros figures, which are very stiff, where the limbs are
very close to the body. And here immediately we notice the figures moving out into our space,
extending their arms. - [Voiceover] The figures represented in archaic Greek art are also separate. You think of the male Kouros
figure or the female Kore. Those are free-standing
figures that stand alone and here we have two figures that embrace, that lie next to each other, where there's a tremendous
sense of intimacy. - [Voiceover] In ancient
Greek culture there are no monumental tombs like the ones
we find in Etruscan culture. There are similarities
and there are differences between these two cultures that are closely communicating with one another. - [Voiceover] One of the
most important differences is that this is made in
terracotta, that is this is clay. Whereas the Greeks
preferred mostly marble, but increasingly would work in bronze. This would've been modeled
as a complete object and then most likely
when it had begun to dry, what potters call the leather-hard stage, it's likely that the artist
would've burnished the object, that is smoothed it with a hard surface to create a glossy sheen. Then it would have been cut in half, likely because the object is so large, it might not have fit in the kiln. And so this would've been
fired in four pieces: both the lid and the base, on both sides. - [Voiceover] So we mention the way that the figures' arms are outstretched and the way the figures
move into our space. Likely they were holding
objects relating to a banquet. We see banqueting scenes
often on the walls in frescoes in Etruscan tombs. - [Voiceover] Or as some art
historians have conjectured, it's possible the women was
holding a perfume bottle. It's also possible that one of the figures was holding a pomegranate, which
is a symbol of the eternal. - [Voiceover] There is a
sense of sociability here and it might remind us of
scenes we see on Greek pottery, of figures at a banquet, the symposium. And when we see that in Greek pottery, those are male figures. But here we have a couple: He's got his arm around her. But we're not supposed to
see these as portraits; this is not the way
this man and women look. But instead, like the archaic smile, we have features that are stylized. - [Voiceover] These are
clearly not rendered from the observation of a model. So we have found literally
thousands of Etruscan tombs. - [Voiceover] This was
found in a necropolis, that is a cemetery called
Banditaccia, at Cerveteri. - [Voiceover] This was one of the principle cities of the Etruscans. - [Voiceover] It was found, broken into 400 pieces, and reassembled. And you can see when you look closely which pieces have been
filled in by conservators and which pieces are
original to the sculpture. - [Voiceover] And if you look closely you can see the discs of
the pupils are hollows and it's likely that something
was originally inlaid there. It's really quite extraordinary how lucky we are to have such an intact object. (light piano music)