Voiceover: We're standing in the Louvre, looking at an enormous top of a column and capital formed of two bulls heads. This is such a strange motif to me. It's so different than capitals we see in ancient Egyptian or ancient Greek art. Voiceover: And we're in a period when ancient Greece was, in
fact, beginning to produce its most famous architecture. This was about 500 B.C.E. We're in the area that is currently Iran. Voiceover: This is the Achaemenid Empire and they have ruled over a vast area of the Mediterranean in the Near East. Voiceover: They tried to
rule over ancient Greece, but the Greeks would be successful, much to their surprise. And just from this bull capital, because of its massiveness
and because you know that this is just one of
dozens of such capitals, you get a sense of the scale
of the royal architecture of this dynasty and the
power of the Persians. And just how frightening
that must have been to the ancient Greeks. Voiceover: This capital
was one of 36 that topped enormous columns in the
audience hall or 'apadana'. Voiceover: So, we're in
the ancient city of Susa. This capital comes from
one of two major palaces that were built by the
Persian king Darius. Look at the size of those bulls. I wouldn't stand as tall,
even though it's crouching. Voiceover: So, imagine
this in a hypostyled or columned hall. This dense forest of columns. And this is where the king
would receive visitors. So, this expression of power within an entire palace complex, built of precious materials, brought from all over Darius' empire. Voiceover: The large scrolling forms, which remind us a little
bit of Ionic architecture from ancient Greece would themselves have only been a transitional layer, because below that would have been an additional capital, and then below that would have been the shaft of the column
itself with a base. The bulls themselves would have been quite high up and would've
probably have been much more dimly lit than
we're seeing them now. You can see how the two bulls are actually connected into a single form, with only the heads and the
front part of the bodies doubled. And then in the notch that
is created in their backs, we have the beams of the palace cradled. Voiceover: These capitals supported a very high wooden roof, probably 40, 50, or 60 feet high. They seem to be kneeling,
and yet, towering above us. So, I imagine anyone
entering this hallway, would have felt very small. Voiceover: In part, because
you have this great mass, that is at the very top
of a slender column, which emphasizes that sense of scale. The other issue is that these
are carved out of stone, which would have been
imported from local mountains, whereas most of the palace
was made out of mud brick that had been fired. And so the monumentally of
the density of this stone, would have been impressive as well. Voicover: One of the things
you notice immediately when you look at the capital, is that it seems to be comprised of two different colors of stone. And this is because what we're looking at is actually a composite
restored by archeologists from several different capitals. Voiceover: Even though
the bulls themselves are fragments that have been put together, some of the craftsmanship
is still evident. Look for instance at the patterning of the curls of the fur. You can see that especially
on the bulls' breasts, the delicacy of the ears
and the horns and the eyes. They really are expressive creatures. Voiceover: But frightening and everything in this palace was meant to impress. Some of the glazed brickwork
survived from the palace. There are images of griffins,
of sphinxes, of guards. Voiceover: The guards are interesting. They're holding spears and they've got bows wrapped
over their shoulders. You can actually see their
quivers just over their backs. Voiceover: This accumulation
of images of power as you made your way up
to the audience hall, through this field of columns. Voiceover: By the time you got
your audience with the king, You would've been most impressed. And the power that he wielded over so much of the Mediterranean, over so much of the Near East was clear.