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Course: Asian Art Museum > Unit 3
Lesson 2: Indonesia- Introduction to Indonesia
- Introduction to puppet theater (wayang) of Indonesia
- Indonesian rod puppets (wayang golek)
- Amir Hamzah, uncle of the Prophet Muhammad, spreader of Islam, and hero of the Serat Menak
- Batik of Java: A Centuries Old Tradition
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Batik of Java: A Centuries Old Tradition
Watch Javanese artisans make batik and learn more about their refined techniques. Many places in the world pattern textiles by applying wax to protect certain areas from dye. During the dye process, the wax areas resist the dye, and when the wax is removed a pattern emerges. Both the technique and the textile produced are called batik. Nowhere in the world is this method of patterning textiles as highly refined as in Indonesia.
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Video transcript
Many places in the world pattern textiles by applying wax to protect
certain areas from dye. During the dye process,
the waxed areas resist the dye, and when the wax is removed,
a pattern emerges. Both the technique and the
textiles produced are called batik. The word “batik” may derive from the
Javanese words “to write” and “dots.” Nowhere in the world is this method of patterning
textiles as highly refined as in Indonesia. There are two main methods of
making Indonesian batik: one using a small tool called a canting
to draw patterns, the other using metal stamps
to apply the wax. Stamps produce textiles faster for both export and domestic demand. In this way, batik can be made at a lower cost, and finished garments are more affordable. The most refined and expensive
batik is produced by hand. Patterns are drawn using a
canting or wax stylus, a method called batik tulis or “written batik.” The stylus consists of a bamboo or wood stick with a small spouted copper reservoir
for wax at the end. The artist dips the cup into a pot of hot wax, blows on it to assure smooth
application through the spout, and then applies the wax,
drawing patterns with the spout. After both sides of a cloth have been waxed,
it is ready to be dyed. For a complex pattern with many colors,
the cloth is waxed and dyed many times. Let’s look at the process of batik by visiting a collective of artisans
in the village of Kebon in Central Java. The first step in making batik
is to apply the design. The design is first drawn on paper
and then transferred using a pencil, or non-permanent ink,
to fine white cotton cloth. The design may be a centuries-old
traditional pattern, or, as in the case here, it may reflect
the contemporary aesthetics of the artisans. After the pattern is transferred,
the cloth is ready for the first layer of wax. Batik wax is a combination of paraffin,
beeswax, and resin. It is a translucent yellow
when it is fresh, but may look dark brown
or black after many reuses. The artisan retraces the design
on the cloth with wax using the canting. Some areas are then filled in with
decorative detail, known as isen-isen. A skilled batik artisan will know
hundreds of isen-isen. The artist applies the wax with steadiness; years of practice that often began as a child allows her to work quickly,
with fluidity and accuracy. Once the wax has been
applied to the entire cloth, it is ready for its first immersion in a dye bath. Many communities in Indonesia
use imported synthetic dyes; however, there is a growing trend
to use natural dyes, as we find in this collective of
artisans in Kebon. Traditionally, the ability to make dyes was extremely important
in textile-producing communities, and villages would be known
for the quality of dyes produced. Some frequently used colors
are derived from indigo leaves, jelawe fruit, mahogany wood, teger wood, tinggi bark, and mango leaves. The dye is heated in outdoor pots. Nothing goes to waste in the countryside where wood and ash waste from the fire
will feed hungry chickens. The dye is transferred to a basin where
the artisan ensures the cloth is immersed. After the first dye bath,
the cloth is dried in the sun. Then, certain areas are covered with wax,
to preserve the first color, before the cloth is dipped
into a second color. The artisan is familiar with the finished design,
and knows where to apply the wax. Fine cantings are used to draw
lines to contain the colorful design. Cantings with larger spouts
will be used to “hold” large areas of color that will be preserved
during subsequent dye baths. This process of applying wax to the cloth,
dyeing, adding more wax, and further dyeing and drying
will be repeated several, if not dozens of times, depending on the pattern and number
of finished colors in the batik cloth. Between waxings, the textile is sometimes
immersed in boiling water to remove wax, and then rewaxed to protect different parts of the pattern
from subsequent dyeing. Once the dyeing and waxing is completed,
the cloth is ready for final wax removal. The textiles are taken to a neighboring house where large pots of water
are set up for wax removal. The wax will be collected for reuse by boiling it out in several pots
from very hot to cooler water. The reclaiming of the wax is part of
the sustainable practice in this community, where recycled wax is used again. Finally, the cloth is wrung out
and returned to the village, where it is hung to dry a last time. Finished batik cloths can be
used for many purposes. They are worn as sarongs
and made into clothing and accessories for both local uses and export. Today, contemporary fashion designers
are also incorporating batik into their designs. Batik remains an
important element of costume for dance performances
and for ceremonial dress in many parts of Indonesia
and neighboring countries Children learn how to work
in a community of artisans, each generation passing on to the next the cultural heritage of this remarkable cloth.