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Course: Art of the Americas to World War I > Unit 5
Lesson 5: Northwest coast & Arctic- Tsimshian shaman’s rattle
- Reclaiming history, a Kwakwaka'wakw belt
- Transformation masks
- North Wind Mask
- Sea monster transformation mask
- Nuu-Chah-Nulth Mask Frontlet of the Wolf Dance
- Haida totem pole, from Old Kasaan
- Haida potlatch pole
- Bentwood Boxes of the Northwest Coast peoples
- Tlingit mortuary and memorial totem poles
- Proud Raven totem pole at Saxman Totem Park
- The story of the Oyster Man, a Tlingit totem pole
- The Chief Johnson Totem Pole
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Proud Raven totem pole at Saxman Totem Park
The Saxman Totem Park's Proud Raven Pole, also known as the "Lincoln Pole," is a symbol of the Gaanax.adi Raven clan's pride and sovereignty. Misinterpreted as a memorial to Abraham Lincoln, it actually commemorates the clan's first encounter with white men during the fur trade era. The pole's creation in the 1880s reflects the Tlingit people's claim to their land amidst American colonization. Created by Smarthistory.
Video transcript
(upbeat jazz music) - [Narrator 1] We're at
the Saxman Totem Park and we're standing in
front of an enormous raven. This is the Proud Raven Pole, that has also come to be
known as the "Lincoln Pole." - [Narrator 2] The base of the pole was more important for Tlingit people. It shows the crest of the Gaanax.adi clan from the Taant'a kwaan Tongass people. And this pole was originally
erected in the 1880s on Tongass Island. It depicts at the bottom, this beautiful raven carving
with outstretched wings. These wings are upended
when the carver added them to the main shaft of the pole. On his breast is this human
figure with crossed arms. If you look carefully, the legs of the human figure
morph into those of the raven. So this was a person
of the Gaanax.adi clan, of this raven crest; he almost
becomes one with that crest. - [Narrator 1] And while we're
seeing about 30 to 40 feet of this pole rising from the ground, it actually goes into the ground. We're not entirely sure how deep it goes but some went down as deep as
18 feet to stabilize the pole. If we look above the Proud Raven, we see an undecorated shaft; and as we lift our eyes
to the top of the pole, we find the figure of Abraham Lincoln. - [Narrator 2] This was
a likeness of Lincoln and this was what captured
the attention of non-natives. In the 1920s, there was
a famous Alaskan judge who published a story about this pole being a memorial to Lincoln. That Tlingit people were so
grateful to Abraham Lincoln for having emancipated slaves. And actually, what Tlingit
elders emphasize instead was that "This was never a memorial
to Abraham Lincoln." This pole was a record of the pride of the Gaanax.adi Raven clan at having been the
first to see a white man in Tongass territory." This encounter probably took place in the late 18th century
during the fur trade when Spanish, English and American ships were plying the waters of Southeast Alaska for sea otter pelts. This particular encounter
for the Tongass people probably took place on Duke Island. Again, South of Ketchikan, it
overlooks the broad expanse of the open Pacific Ocean where it would have been very likely they saw one of these
European sailing ships. Maybe a century later, this pole was erected in
the 1880s on Tongass Island to commemorate that encounter and to recall the pride
of the Gaanax.adi Ravens at having been the first
to see this white man on their territory. - [Narrator 1] When this poll was erected in the later 19th century, Lincoln has recently been assassinated, the Civil War has ended. Lincoln has cast this really large shadow on people's imaginations. It's not surprising to
me that non-native people would get very excited at this story that you mentioned earlier. This idea of "Lincoln,
the great American hero." But really, it has a
very different meaning for the local indigenous people. And it really becomes a
record of sovereignty, their claim to the land. - [Narrator 2] Right, they were here before
these first white men ventured to their shores. The photograph that was probably used was a photograph taken
during the Civil War, of Abraham Lincoln standing at Antietam. in those photographs, he's standing with his
arms clasp behind his back. The carver interpreted
this as "Arms akimbo." So this first white man standing
at the top of those pole, this image of Abraham Lincoln it was likely given to
them as a diplomatic gift on Tongass Island, because Tongass Island was not only the site of a prominent Tlingit village, but also the first U.S.
military base built in Alaska after the United States purchased Alaska from Russia in 1867. In this really complex time of transition with Americans arriving on the scene, claiming the land. Tongass Tlingit's erect this pole that claims their
sovereignty on this land, that Americans are now claiming. That looks back to a time when they were the first
to see white people coming to their shores. - [Narrator 1] Now, when
the Saxman Totem Park was constructed in the 1930s,
during the Great Depression; when the U.S. Forest Service and the Local Native
communities were coming together to create this park, in part to appeal to tourists, to appeal to people who
would be passing by the park on steam ships, who could see the totem row
as it ascends up the hill, it makes sense to me
that they would continue to draw support for this myth of "Lincoln as the emancipator,
as the savior of people." - [Narrator 2] It's
interesting because this pole was one of the catalysts for the Totem Pole Restoration Program. When the Forest Service
first applied for money, New Deal officials labeled this request to restore Totem Poles in the remote islands of Southeast Alaska, as "The boondoggliest of boondoggles." This watch word for needless spending during the Great Depression. And yet, when they saw
that there was Tlingit pole that depicted Lincoln,
this was the selling point. This was something everyone
could agree should be preserved, but what's really important
is that the story became known that this was not a
memorial to Abraham Lincoln, but instead this document
of Gaanax.adi pride, of their sovereignty; their clan history on this land long before white people arrived. (upbeat jazz music)