The Metropolitan Museum of Art
Met curator George Goldner on first impressions in El Greco’s View of Toledo.
In this, his greatest surviving landscape, El Greco portrays the city he lived and worked in for most of his life. The painting belongs to the tradition of emblematic city views, rather than a faithful documentary description. The view of the eastern section of Toledo from the north would have excluded the cathedral, which the artist therefore imaginatively moved to the left of the Alcázar (the royal palace). Other buildings represented in the painting include the ancient Alcántara Bridge, and on the other side of the river Tagus, the Castle of San Servando.
View this work on metmuseum.org.