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Asian Art Museum
Course: Asian Art Museum > Unit 5
Lesson 1: China- Introduction to China
- An introduction to ancient China
- Archaeology and the study of ancient China
- Discoveries in Chinese archaeology
- Bottle with mouth in the shape of a mushroom
- Ritual implements (cong and bi)
- Working jade
- Introduction to the Shang dynasty
- Shang dynasty ritual bronze vessels
- Ritual vessel (fangyi)
- Horse decoration in the form of a taotie mask
- Ritual vessel in the shape of a rhinoceros
- Covered ritual wine vessel (gong)
- Ritual wine vessel (hu)
- Seated Buddha dated 338
- Introduction to the Han dynasty
- Vase with cover
- Cicada
- Money tree
- House model
- Storehouse
- Terracotta Warriors from the mausoleum of the first Qin emperor of China
- An Introduction to the Tang dynasty (618–906)
- Dancer
- Camel
- Central Asian wine peddler
- Stele with the Buddha Shakyamuni and Prabhutaratna
- Stele of the Buddha Maitreya
- Chinese Buddhist cave shrines
- Buddhist Temples at Wutaishan
- An Introduction to the Song dynasty (960–1279)
- Bodhisattva Avalokiteshvara (Chinese: Guanyin)
- Taoism in the Tang and Song dynasties
- Arhat (Chinese: luohan)
- Bowl with brown mottling
- Classical gardens of Suzhou
- An introduction to the Ming dynasty (1368–1644)
- Technology during the Ming dynasty (1368–1644)
- Covered jar with fish in lotus pond
- Song of the morning
- Appreciating Chinese calligraphy
- Decoding Chinese calligraphy
- Whirling Snow on the River Bank
- Climbing Huangshan (Yellow Mountain)
- The Forbidden City
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Storehouse
What is this object?
This is a ceramic model of a granary barn or storehouse, made as a burial object (mingqi) during the Eastern Han dynasty (25‒220 C.E.). This particular house is tall and rectangular. One worker carries a sack of grain up the stairs while another awaits his approach. Two bears are positioned on the ground floor as guardian figures.
How does this object reflect society at that time?
Burial objects such as this are plentiful from this period. The Asian Art Museum collections from this time include other farm scenes, well-heads, animals, cookware, stoves, houses, jars, incense burners and a rare set of gate pillars. There are entertainers and a figure of an exorcist. A flour mill in the collection attests to the introduction of the millstone, and other agricultural innovations during the Han that produced a booming economy. The major grains at this time would have been millet and rice, wheat and barley, depending on the region. In addition to grains, and whatever meats could be eaten, the staple dish was geng, a thick soup or meat broth. Meals were served on low platters (as people were not yet sitting in chairs). Tablewares of wealthier families would have been lacquered. Model buildings like this provide excellent information on early Chinese architecture. Some can be disassembled to view component parts. Watchtower models and house models allow us to see construction techniques and room arrangements. This model, along with others, allows us to glimpse at aspects of grain harvest and storage.
What was the purpose of these models?
Models of real-life objects were placed in tombs to provide for the deceased’s soul, which needed real-life provisions in the afterlife, for sustenance and reassurance. This was not the life-sized world of the scale created by the First Emperor (Qin dynasty), but a facsimile version produced for a growing population wanting to enjoy the burial privileges of the aristocratic elite.