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Asian Art Museum
Course: Asian Art Museum > Unit 5
Lesson 1: China- Introduction to China
- An introduction to ancient China
- Archaeology and the study of ancient China
- Discoveries in Chinese archaeology
- Bottle with mouth in the shape of a mushroom
- Ritual implements (cong and bi)
- Working jade
- Introduction to the Shang dynasty
- Shang dynasty ritual bronze vessels
- Ritual vessel (fangyi)
- Horse decoration in the form of a taotie mask
- Ritual vessel in the shape of a rhinoceros
- Covered ritual wine vessel (gong)
- Ritual wine vessel (hu)
- Seated Buddha dated 338
- Introduction to the Han dynasty
- Vase with cover
- Cicada
- Money tree
- House model
- Storehouse
- Terracotta Warriors from the mausoleum of the first Qin emperor of China
- An Introduction to the Tang dynasty (618–906)
- Dancer
- Camel
- Central Asian wine peddler
- Stele with the Buddha Shakyamuni and Prabhutaratna
- Stele of the Buddha Maitreya
- Chinese Buddhist cave shrines
- Buddhist Temples at Wutaishan
- An Introduction to the Song dynasty (960–1279)
- Bodhisattva Avalokiteshvara (Chinese: Guanyin)
- Taoism in the Tang and Song dynasties
- Arhat (Chinese: luohan)
- Bowl with brown mottling
- Classical gardens of Suzhou
- An introduction to the Ming dynasty (1368–1644)
- Technology during the Ming dynasty (1368–1644)
- Covered jar with fish in lotus pond
- Song of the morning
- Appreciating Chinese calligraphy
- Decoding Chinese calligraphy
- Whirling Snow on the River Bank
- Climbing Huangshan (Yellow Mountain)
- The Forbidden City
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Ritual wine vessel (hu)
What is this object?
Hu were ceremonial vessels used for holding wine that became popular during the Zhou dynasty (1050–771 B.C.E.). Their shape is typically slender near the top of the vessel, sagging towards the middle. They include a lid, two handles and a base. It is possible that the hu vessel was based on the earlier you vessel.
How was it used?
The inscription inside the lid and neck of this vessel gives direct evidence of its intended use: “On the chi-mao day, the first day of the tenth month of the twenty-sixth year, Fan Chuseng cast this wedding hu to be used as a wedding present for his eldest child, Meng Feiguai. May his sons and grandsons treasure it forever.”
This vessel was created to be part of a dowry. This indicates a shift away from the strictly religious use of bronzes towards a more secularized use for personal reasons. It also reminds us of the expectations that fathers placed on sons–Confucian principles that stressed respectful, dutiful relationships.
What is the significance of the designs on this vessel?
The designs on this vessel are based on previous models, but show a clear move towards abstraction. Two taotie-like eyes, seen near the widest part of body of the vessel, have become isolated circular shapes. Whereas the split face had previously been divided by the nose, there is no clear break, and arching wave-like bands become the dominant design. The background has been simplified to thin lines, giving depth to the foreground without distraction. The design seems to move more freely around the shape of the vessel, less hemmed in by box-like divisions or projecting flanges. The curvilinear patterns of the wave motif are reflected in the twisted horns of animal-shaped handles and the delicate lines on the rings.
Want to join the conversation?
- The first paragraph last line stats that it may be based on "the earlier you vessel." Is this suppose to be Zhou?(1 vote)