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Asian Art Museum
Course: Asian Art Museum > Unit 5
Lesson 1: China- Introduction to China
- An introduction to ancient China
- Archaeology and the study of ancient China
- Discoveries in Chinese archaeology
- Bottle with mouth in the shape of a mushroom
- Ritual implements (cong and bi)
- Working jade
- Introduction to the Shang dynasty
- Shang dynasty ritual bronze vessels
- Ritual vessel (fangyi)
- Horse decoration in the form of a taotie mask
- Ritual vessel in the shape of a rhinoceros
- Covered ritual wine vessel (gong)
- Ritual wine vessel (hu)
- Seated Buddha dated 338
- Introduction to the Han dynasty
- Vase with cover
- Cicada
- Money tree
- House model
- Storehouse
- Terracotta Warriors from the mausoleum of the first Qin emperor of China
- An Introduction to the Tang dynasty (618–906)
- Dancer
- Camel
- Central Asian wine peddler
- Stele with the Buddha Shakyamuni and Prabhutaratna
- Stele of the Buddha Maitreya
- Chinese Buddhist cave shrines
- Buddhist Temples at Wutaishan
- An Introduction to the Song dynasty (960–1279)
- Bodhisattva Avalokiteshvara (Chinese: Guanyin)
- Taoism in the Tang and Song dynasties
- Arhat (Chinese: luohan)
- Bowl with brown mottling
- Classical gardens of Suzhou
- An introduction to the Ming dynasty (1368–1644)
- Technology during the Ming dynasty (1368–1644)
- Covered jar with fish in lotus pond
- Song of the morning
- Appreciating Chinese calligraphy
- Decoding Chinese calligraphy
- Whirling Snow on the River Bank
- Climbing Huangshan (Yellow Mountain)
- The Forbidden City
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Dancer
Men and women of the Tang dynasty (618–906) of China were very interested in all things foreign. They often dressed in foreign fashions, and welcomed foreign dance and music at their parties and court entertainments. The single female figure has her hair tied in two large loops. Her upper garment has elaborate winged shoulders and a raised collar leading to a V-shaped front. Her shoes have elaborate, up-turned toes. Her elongated sleeves are representative of the court fashions at that time. This woman is performing what appears to be a sedate dance; however, written descriptions indicate that many such performances were anything but sedate. Fashion changed remarkably quickly during the first century of the Tang dynasty. Notice her large, puffy shoes. The slender, elaborately coiffured woman depicted here would have looked out of place among the plump women of style of the 700s.
How was this object made?
This figure is decorated with colored pigments applied after firing. Since the paint colors did not have to withstand firing, a wider assortment of colors could be used. However these colors are not bound to the ceramic, and are therefore susceptible to flaking. The three-colored glaze technique (sancai) did not lend itself to creating skin tone colors, and the maker of these figures may have preferred the wider palette of colors offered by painting directly on the low-fired earthenware.
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