Asian Art Museum
- Introduction to China
- An introduction to ancient China
- Archaeology and the study of ancient China
- Discoveries in Chinese archaeology
- Bottle with mouth in the shape of a mushroom
- Ritual implements (cong and bi)
- Working jade
- Introduction to the Shang dynasty
- Shang dynasty ritual bronze vessels
- Ritual vessel (fangyi)
- Horse decoration in the form of a taotie mask
- Ritual vessel in the shape of a rhinoceros
- Covered ritual wine vessel (gong)
- Ritual wine vessel (hu)
- Seated Buddha dated 338
- Introduction to the Han dynasty
- Vase with cover
- Money tree
- House model
- Terracotta Warriors from the mausoleum of the first Qin emperor of China
- An Introduction to the Tang dynasty (618–906)
- Central Asian wine peddler
- Stele with the Buddha Shakyamuni and Prabhutaratna
- Stele of the Buddha Maitreya
- Chinese Buddhist cave shrines
- Buddhist Temples at Wutaishan
- An Introduction to the Song dynasty (960–1279)
- Bodhisattva Avalokiteshvara (Chinese: Guanyin)
- Taoism in the Tang and Song dynasties
- Arhat (Chinese: luohan)
- Bowl with brown mottling
- Classical gardens of Suzhou
- An introduction to the Ming dynasty (1368–1644)
- Technology during the Ming dynasty (1368–1644)
- Covered jar with fish in lotus pond
- Song of the morning
- Appreciating Chinese calligraphy
- Decoding Chinese calligraphy
- Whirling Snow on the River Bank
- Climbing Huangshan (Yellow Mountain)
- The Forbidden City
What is this object?
The Bactrian camel was used to haul trade goods along the silk roads leading out of China across the western regions into Central Asia and beyond.
How was it made?
This object was made from light-colored earthenware clays, partly using molds with added sections that were joined together. The insides were often hollow or had holes to prevent unwanted distortion of the object when fired. The polychrome (multicolored) glaze is called sancai (literally "three colors"), typically made from a lead glaze with mineral pigments of copper (for green), iron (for brown and amber), and cobalt (for blue), and fired at a temperature of about 800–1000 C°. The production of sancai wares flourished between the late 600s and mid-700s, mainly in northern China. Before this period, colors on most ceramics were limited to a relatively finite range of green and brown glazed wares.
How was it used?
This object was placed in a tomb for the wealthy located in the northern regions of China. Tang dynasty (618-906) tombs of this type were multichambered constructions, often with passageways and niches where such objects would have been placed after the tomb owner’s body had been interred and funerary rituals completed. Because of the lead glaze, which could be toxic if used in daily activities, such objects would not have been used by the living, but prepared especially for burial.
How does this object reflect the life and times when it was made?
Objects such as this one, even though it was intended for burial, gives us a colorful view of life during the high Tang dynasty (618–906). It makes specific reference to the trade routes. Camels were used to transport goods across the arid regions of the northwestern part of the Tang empire. Called the "ships of the desert," these hardy animals could travel long stretches without water, and their padded feet were adapted to traversing the many sand dunes along the way. This camel carries a cushion between its two humps along with mixed cargo (note the small white vessel below the front hump). The cushion is decorated with a comical face. Many similar glazed earthenware objects have been found in Tang tombs. Some have musicians or travelers perched atop the camel. Other figures of camels are stacked with bolts of silk. Silk was the primary export commodity in demand outside of China. The Tang capital of Chang-an (modern Xi’an) was transformed into one of the largest and most cosmopolitan cities in the world at that time. It was a magnet for trade and commerce.
Want to join the conversation?
- We read, "Because of the lead glaze, which could be toxic if used in daily activities, such objects would not have been used by the living, but prepared especially for burial."
Were the Ancient Chinese aware of the toxic properties of lead? I know that the Ancient Romans for example, lined their aqueducts with lead and used lead for a variety of purposes without knowledge of its harmful effects. If I am not mistaken, lead was even used in the time of Leonardo da Vinci without knowledge of its toxic properties. Could it be possible that this knowledge (if in fact the Chinese were actually aware that lead was toxic) just never made it's way from Asia to the mediterranean?(5 votes)
- Good question, bust no good answers when googled. Some evidence of lead poisoning in Shang period from bronze drinking vessels. Answer still unknown.(3 votes)
- can you tell me if there were warriors on horseback in China or other Asian cultures similar to the Samurai? I have two works of lead glazed earthenware which depict opposing warriors on horseback but cannot determine the origin. They are signed with a stamp into the clay on the back.(2 votes)
- horses were a major contributor to tang dynasty military strength. They were used for leisure as well, such as playing polo or hunting. In 667 a tang law stated that only the aristocracy (men and women both) were permitted to ride horseback.(1 vote)
- Call me picky, but isn't this a dromidary (however you spell it) due to the two humps? Oh, maybe thats still a form of camel.Sorry.(1 vote)
- The dromedary is a one-hump beast of burden, most common on the arabian peninsula (as far as I know). The camel has two humps.(1 vote)
- What region of T'ang China was this object made in?(1 vote)
- I believe the article says the Shaanxi or Henan province.(1 vote)