Special topics in art history
- Working jade
- Quarrying and carving marble
- Carving marble with traditional tools
- Casting bronze: lost-wax method
- Casting bronze: direct lost-wax casting
- Making a Spanish polychrome sculpture
- Making a Spanish polychrome sculpture: Saint Ginés de la Jara
- After the Fall: The Conservation of Tullio Lombardo's "Adam"
- Object Conservation - Salisbury Cross
- Contemporary Art Conservation at Smithsonian's Hirshhorn Museum
- Conservation: Cast of the Pórtico de la Gloria
- Conservation: The Nasrid plasterwork collection at the V&A
- Conservation: Playing Tipu’s Tiger
- Conservation: The Wolsey Angels
Diana Heath, Senior Metals Conservator at the V&A, describes the challenges of treating the Wolsey Angels – rare examples of copper figures created for the English Tudor court at the height of the Renaissance, between 1524 and 1529. The Angels were made by the Italian sculptor, Benedetto da Rovezzano (1474–1554), to adorn a magnificent tomb commissioned by Cardinal Thomas Wolsey. After the English Civil War, the Angels disappeared, and were only recently rediscovered, having stood unrecognised on the gateposts of a stately home in Northamptonshire, perhaps for centuries. Not originally intended for outdoor exposure, their surfaces altered radically over time. The separation of each pair of Angels accounts for their difference in appearance, together with the loss of their wings. Extensive conservation work at the V&A has now enlivened the appearance of the Angels and ensured their future preservation. The Wolsey Angels were purchased with the support of the National Heritage Memorial Fund, the Art Fund, a gift in memory of Melvin R. Seiden, the Friends of the V&A, the Ruddock Foundation for the Arts, the American Friends of the V&A, and many other generous donors thanks to a major public appeal in 2014. Find out more: https://www.vam.ac.uk/info/conservation. Created by Smarthistory.