Michelangelo, Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Met curator Carmen Bambach on the presence of genius in Michelangelo Buonarroti’s Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso),  c. 1510–11. This is the most magnificent drawing by Michelangelo in the United States. A male studio assistant posed for the anatomical study, which was preparatory for the Libyan Sibyl, one of the female seers frescoed on the ceiling of the Sistine Chapel (Vatican Palace) in 1508-12. In the fresco, the figure is clothed except for her powerful shoulders and arms, and has an elaborately braided coiffure. Michelangelo used the present sheet to explore the elements that were crucial in the elegant resolution of the figure's pose, especially the counterpoint twist of shoulders and hips and the manner of weight-bearing on her toe. Recent research shows that this sheet of studies was owned by the Buonarroti family soon after Michelangelo's death. The "no. 21" inscribed on the verso of the sheet (at lower center) fits precisely into a numerical sequence found on many other drawings by the artist that have this early Buonarroti family provenance. View this work on metmuseum.org. Are you an educator? Here's a related lesson plan. For additional educator resources from The Metropolitan Museum of Art, visit Find an educator resource.
Michelangelo, Last Judgment
Essay by Dr. Esperanca Camara
This quiz is for the video Michelangelo, ceiling of the Sistine Chapel.

Problem

Michelangelo brought a strong
element to the painted figures on the Sistine Chapel.