Main content
Course: Music | All-Star Orchestra > Unit 2
Lesson 1: WoodwindsE-Flat clarinet lesson
Learn about the E-flat clarinet from an expert musician with the U.S. Marine Band. Includes exercises for intonation, intervals, burst-tonguing and more.
Want to join the conversation?
- Does that "b"-like character after the "E" at0:20mean flat?(5 votes)
- what makes e-flat clarinets harder to play that b-flat clarinets(4 votes)
- "The Eb clarinet is smaller, playing at a higher pitch than the Bb. They have a different timbre from one another, with the Eb tending to sound more shrill. They’re also used differently in ensembles. The Eb is more difficult to play in tune, and usually costs more than a comparable Bb."
https://groovewiz.com/difference-between-an-eb-clarinet-and-a-bb-clarinet/(1 vote)
Video transcript
- Most clarinet players start out playing the B-Flat clarinet. Occasionally, some of 'em will start out on the bass clarinet, but
no one, as far as I know, starts out on the E-Flat clarinet. And that's the instrument I play. E-Flat clarinet is considered
an auxiliary instrument in the clarinet family. I wanna encourage any high school or college clarinet players
to try auxiliary clarinets. It's really fun. Sometimes, you get to play solos when you wouldn't have
gotten to play solos before, if you dare to try something
like the E-Flat clarinet. I started playing E-Flat
clarinet in high school, and... It was a lot of fun so... If you are a B-Flat clarinet
player and are suddenly asked to play E-Flat clarinet, my
suggestion to you would be to start with some fundamentals. So you want to, the mouthpiece is smaller on the E-Flat clarinet than
on the B-Flat clarinet. The reed is smaller, it
takes a tremendous amount of air support and a firm
embouchure around the mouthpiece. ("Symphony in B-Flat for
Concert Band" by Paul Hindemith) If you're borrowing an
E-Flat from your high school or your university, you
want someone to make sure that the instrument is in
good working condition, first and foremost, because
you don't wanna be battling a leaky E-Flat and trying to play this very difficult
auxiliary instrument. The most challenging things
about playing E-Flat clarinet for the first time or
one of the first times is definitely intonation. It's a very squirrel-ly, intonation wise, the B-Flat clarinet has
been played a lot longer. There's been a lot more
research and development on the B-Flat clarinet than there has been on the E-Flat clarinet,
and just so you know, the instrument in itself
does not easily play in tune. It's a lot of work for
the person playing it to play the E-Flat clarinet in tune. It's a more shrill
sound, a brighter sound, so you're gonna want
to try to warm that up as much as possible. In particular, if you're
playing in a wind ensemble or a symphonic band. In a orchestra, it can
tend to stick out more, and the parts are written for that. So you can kinda go for
it more in an orchestra, and you don't have to worry
as much about blending. But in a symphonic band
or a wind ensemble, you're gonna wanna do that. So when you're practicing,
you do the same warm-ups that you would normally do
on your B-Flat clarinet. Something I start out with was
something I have been doing since middle school and high school. I started playing clarinet in sixth grade, and it's a spider exercise. We would do it as a full
band back in high school, and you start in an open G and... (bright clarinet scales ring) So you just increase the interval
by a half step each time. It's best if you have a
tuner on while you do this. This is an exercise where
you're not really worrying about the tempo or anything. You're focusing on your tone
quality and always coming back to the same open G that you left. So you wanna always tune that note. You can also, something
that I do a lot every day on my E-Flat clarinet is I
use my tuner and play a drone. So you play a steady pitch on your tuner, and then you try to match it. And you can play different intervals and try to match that drone
using the different intervals. So another exercise that I
do is a twelfth exercise. This is very effective
on B-Flat clarinet also. (clarinet drones) So the clarinet is built in twelfths. When you play a low E, and
you pop down the register key, you go up to a B. So you can have on the
tuner the low E on a drone, and when you put the register key down, you want to make sure
that that B is in tune with a low E drone. But another good thing
about the twelfth exercise is you wanna play the
low note nice and loud, keep your embouchure nice and firm, and when you go up to the higher note, drop down to a softer dynamic and keep your embouchure exactly the same. It's harder than it sounds. It's a really good exercise, and on E-Flat clarinet, in particular, doing exercises like this
will pay great dividends. ("First Suite in E-Flat for
Military Band" by Gustav Holst) Some people are blessed with
a naturally fast ability to articulate, and some people have to work really hard at it. I'm sort of probably
somewhere in the middle so... A really good exercise
to do is burst tonguing. So what happens, your
tongue needs to be trained. It can be trained. If you're a really slow
articulator, don't worry. You can practice it and get faster at it, but it takes a lot of
dedicated, regular practice. And a really good way to
do it is burst tonguing. So what you do is you really
need a metronome for this, and you set the metronome
slower than you can tongue. So at a very comfortable
tonguing tempo for you, and you would do something like this. (clarinet rings) And you would use a scale. The C-Major scale, for
example, and start, let's say, quarter note equals a 80. However slow you need to, and you would just inch that up, 85, 90. And what you wanna do is you wanna push yourself a little bit. So let's say 120 is the
fastest you would go. Well, click it up to 125 or
130 and try to do it that fast. You don't wanna do this
for too long every day, maybe 10 minutes, 15 minutes, 'cause your tongue is
gonna get really tired. Put it away, practice something else, and if you do it religiously
every day when you practice, your ability to articulate
will definitely get faster. And then another important
aspect of improving the speed of your articulation is the coordination between your fingers and your tongue. So it's one thing to
just be able to play fast on a single note, but it's
another thing all together to be able to play once you're
moving up and down a scale or a really difficult, technical passage. So you need to practice that too. So another exercise that I do is... (clarinet scales ring) And you would inch that up over the metronome markings as well. And again, it's very important to give your tongue a break in between. So don't be really strict
about the rests in between, take as long as you need to. ("Symphony in B-Flat for
Concert Band" by Paul Hindemith)