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Global cultures 1980–now
Course: Global cultures 1980–now > Unit 1
Lesson 8: Revisiting histories- Betye Saar, Liberation of Aunt Jemima
- Reflecting on "We the People"
- Kara Walker, Darkytown Rebellion
- Walker, Darkytown Rebellion
- Kara Walker on the dark side of imagination
- Romance novels and slave narratives: Kara Walker imagines herself in a book
- Kara Walker, "A Subtlety, or the Marvelous Sugar Baby"
- Turning Uncle Tom's Cabin upside down, Alison Saar's Topsy and the Golden Fleece
- An interview with Kerry James Marshall about his series Mementos
- Speaking to past and present, Clarissa Rizal’s Resilience Robe
- Tenzing Rigdol, Pin drop silence: Eleven-headed Avalokiteshvara
- An unflinching memorial to civil rights martyrs, Thornton Dial's Blood and Meat
- Titus Kaphar, The Cost of Removal
- Wendy Red Star, 1880 Crow Peace Delegation
- Yee I-Lann, Picturing Power #6…
- Superman, World War II, and Japanese-American experience (Roger Shimomura, Diary: December 12, 1941)
- Fred Wilson’s museum interventions
- Ken Gonzales-Day, Erased Lynching Series
- History and deception: Kenseth Armstead’s Surrender Yorktown 1781
- Carrie Mae Weems on her series "From Here I Saw What Happened and I Cried"
- Lam Tung Pang on "A day of two Suns (2019)"
- Abdoulaye Ndoye, Ahmed Baba
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Romance novels and slave narratives: Kara Walker imagines herself in a book
Video by SFMOMA. Artist Kara Walker discusses her interest in popular literature, including romance novels, slave narratives, and even Thomas F. Dixon's 1905 novel The Clansman, and how all of these have influenced her work. Created by Smarthistory.
Video transcript
I am a "Negress of Noteworthy Talent Actually, I dont think I ever said I was the Negress (laughs) The work was created by a Negress of Noteworthy Talent While I was still in Atlanta, and I was very I was involved in several sorts of investigations What I wound up doing, what what came out of this psycho moment was trying to understand myself as a book So I was working at a bookstore at the time, after, you know, graduating from college, and kinda interested in romance novels, in some loose way the covers, the designand the the idea of history, some kind of a history that, you know, its weightier And recognizing myself in that, recognizing blackness in that, and femininity and trying to construct myself as the author of my own narrative, ie slaves narrative The Negress that I refer to is Thomas Dixon Jrs Negress, Tawny Vixen, from The Clansmen, which is the novel, the romantic novel that Birth of a Nation was based on She doesnt have to have real characteristics, she simply has to have a body And that body is is, you know, dark You know, tawny, but thats kind of like swarthy And and she has an illicit seeming relationship with a senator, you know, from the you know, the a vindictive senator whos out to to get the south In the novel, she is this sort of side character, a tertiary character, who is clearly understood by the readers and by the the author to be a bad influence on the direction of the country, potentially And I think one of the quotes in the body of the book is something like, you know, Would this woman be the arbiter of our social mores? And, you know, its kind of speculating on this unseemly body in the in the height of power