Art of Asia
- Yuan dynasty, an introduction
- Zheng Sixiao, Ink Orchid
- Buddha of Medicine Bhaishajyaguru (Yaoshi fo)
- The David Vases (Chinese porcelain)
- The David Vases
- Zhao Mengfu, Autumn Colors on the Que and Hua Mountains, 1295
- Ni Zan, A branch of bamboo
- Chinese porcelain: production and export
- Chinese porcelain: decoration
- Xie Chufang, Fascination of Nature, handscroll
- Wu Zhen, Fishermen, after Jing Hao
- Attributed to Cheng Qi, Tilling Rice, after Lou Shou
- Portrait of Chabi
- Huang Gongwang, Dwelling in the Fuchun Mountains
- Qian Xuan, Young nobleman on horseback, handscroll
- Caterina Vilioni’s tomb in Yangzhou
- Wang Mian, Plum Blossoms in Ink
The David Vases
The David Vases, 1351 (Yuan dynasty), porcelain, cobalt and clear glaze, 63.6 x 20.7 cm each, Jingdezhen, Jiangxi province, China (British Museum)
Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.
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- Why is it called a DAVID vase?
Can't it be an emily vase,a mack vase, etc?(0 votes)
- During0:50to about1:05, the video explains that the vases were named after a man named Sir Percival David who bought the two vases separately and brought them back together again.(25 votes)
- At3:47I noticed some images or symbols at the bottom of the vase, which was never explained. Could somebody explain what these symbols mean or represent I'm curious.(6 votes)
- At2:10, we see the beautiful David Vases, I can't understand from which materials are the vases made of? How much did it cost to make One of the vases like that?(4 votes)
- in1:16,we see that it is made of porcelain, which is made up of kaolin.(5 votes)
- Why does the woman at0:15pronoun vases like the word was vauses?(2 votes)
- Why is Chinese porcelain almost always in blue and white?(2 votes)
- I believe it was like a trend to make the vases that way in Yuan Dynasty.(1 vote)
- Does anyone else find it ironic that there are representations on the porcelain of sea shells? I guess it's called porcelain for more than one reason.(2 votes)
- They said that there might have been rings on the sides and that you can see the slight damage
of where they were sitting. My question is, would the rings also be made out of porcelain?
To explain my question further due to an "answer" I received from jer.porter, I commented this on his answer.
In this video Dr.Steven Zucker actually says, '' Although this is ceramic, this ''design'' seems to come from Bronze ware. In a Bronze vessel you would have a ring hanging down from the handle and you can see there was probably a ring here originally. It was attached to the elephant's trunk. You can see the break marks.''
He says nothing about what the original rings would have been made of., on the David Vases.
If the rings were made out of bronze, It would be more likely that the bronze rings would have been put on after the vase was made. And there shouldn't be any break marks. Because they would be ''Hanging down''. There may have been a little ware on the inside of the elephants trunks if they were made of bronze.
Which is why I asked if they were made out of porcelain.(1 vote)
- What other materiels can China be made out of?(2 votes)
- The patterns on the David vases provide significant information about the Mongol Empire. It is clear that the Chinese like floral patterns and the flowers of the changing season are important to them. Phoenix are sacred in ancient China, and are known to deliver children to mothers. Dragons are important as well, and represent good fortune.(1 vote)
- I'm confused about the Daoist vs. Buddhist elements here. This link argues that the Daoist connection is weak and that Daoism was suppressed in favor of Tibetan Tantric Buddhism at the end of the Yuan dynasty to revive and preserve rapidly collapsing Mongol rule. It argues that most of the symbols seen on the vase are decidedly Buddhist. Thoughts??
(piano playing) Dr. Zucker: On May 13th in 1351 two vases and an incense burner were dedicated to a Daoist temple in China. Dr. Harris: By a man who had these made specifically for this purpose and had his name, date, and the purpose of this dedication inscribed right on the vases themselves. These were an offering to this temple in honor of a General who had recently been made a God. Dr. Zucker: I love that we have all of this specific information. In our history, we so often have to guess the year and here we have the exact day. Dr. Harris: This is something rather familiar to us. We still make dedications, we still make offerings. Dr. Zucker: We've lost the incense burner, but we do have the two vases and now we're looking at them in the British Museum in London. Dr. Harris: Right, they're known as the David Vases, after Sir Percival David the collector who purchased them, amassed this amazing collection of about 1500 Chinese ceramics and brought these two vases, which belong together, back together again. Dr. Harris: They're fairly tall and they are an archetype of what we think of Chinese ceramics in the west. This is blue and white porcelain. Dr. Harris: Porcelain is a very specific kind of ceramic that's very lustrous. Dr. Zucker: It's made from a very pure kind of clay. We get the word porcelain from the Venetian explorer, Marco Polo who went to China during this very period. Apparently when he saw porcelain and it's hard white surface, he thought it looked like the inside of a seashell. The word porcelain is very close to the Italian word for a cowry shell. Dr. Harris: The deed is 1351, China was part of the vast Mongol Empire that stretched from China in the east to what we think of today as Eastern Europe. Dr. Zucker: So often we use the word China to refer, not to the country, but to porcelain material. That's because China produced an enormous amount of porcelain for export. What's interesting is that the Chinese produced products for export with the local markets that they were selling to in mind. Dr. Harris: In fact, we think about this kind of blue and white China as quintessentially Chinese, but as it turns out history is always a lot more complicated because at this point China was actually part of the Mongol Empire, also known as the Yuan Dynasty. Porcelain is white, but the blue is from a mineral called Cobalt from what is present day Iran. Dr. Zucker: The cobalt is painted on the white porcelain, which is this very pure clay and then the entire thing is covered with a clear glaze which helps to give it this great sense of luminosity. Dr. Harris: Then it's fired at very high temperature so it becomes like glass, unlike typical ceramics or earthen ware. Dr. Zucker: The Chinese had kilns that were technologically far advanced of anything in the west or even in the near east. Dr. Harris: While we might think about this as very Chinese this is actually the result of a global Mongol Empire and the interaction of China and Iran. Dr. Zucker: In fact, some scholars think that the blue and white motif itself was not only based on the material from Iran, but was based on the taste of the local markets in Iran and that these pots were made for export. Dr. Harris: Although in this case, it was made for a temple in China. Dr. Zucker: Near the principal production center for porcelain. Dr. Harris: So while we might think about blue and white China as from the period of the Ming dynasty, later than this, these vases help us to date blue and white porcelain to the period before the Ming dynasty to the Yuan Dynasty. Dr. Zucker: Let's take a look at the vases themselves. They're about two and a half feet tall and they're covered with motif's that we think of as typical for Chinese ceramics. Most prominently on both vases, right at the shoulder is a great dragon, the serpentine form. Dr. Harris: Then around the base we see a vine and floral motif. We see that again just above the dragon motif and again at the very top. Dr. Zucker: The neck of the vase is divided into two parts. The bottom part includes a phoenix and then the top part leaves, but interspersed between the leaves is the inscription that helps us date this to the Yuan Dynasty and specifically to May 13th. The handles are elephants and although this is ceramic the design seems to come from bronze ware. In a bronze vessel you'd normally have a ring that hangs down from the handle. You can see that there was probably a ring here originally, it was attached to the elephants trunk, you can see the break marks. So, these are not in perfect condition, although, they are in awfully good condition. Dr. Harris: Considering that they date from 1351. (piano playing)