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Art of Asia
Course: Art of Asia > Unit 2
Lesson 13: Song dynasty (960–1279)- Song dynasty (960–1279), an introduction
- The art of salvation—Mt. Baoding, Dazu rock carvings
- An Introduction to the Song dynasty (960–1279)
- Master of the (Fishing) Nets Garden
- Gu Kaizhi, Nymph of the Luo River
- Chinese landscape painting
- Mountings: hanging scrolls, handscrolls, fans and the album leaf
- Neo-Confucianism & Fan Kuan, Travelers by Streams and Mountains
- Emperor Huizong, Auspicious Cranes, handscroll
- Attributed to Zhang Zeduan, Along the River during Qingming Festival, handscroll
- Liang Kai, Poet Strolling by a Marshy Bank
- Liang Kai (attributed), White Egret
- Ding ware bowl, Northern Song dynasty
- Ceramic pillow
- Guan ware long-necked vase
- Bowl with “oil spot” glaze
- Bowl with brown mottling
- Bodhisattva Avalokiteshvara (Chinese: Guanyin)
- Arhat (Chinese: luohan)
- “Bodhisattva of Compassion Seated in Royal Ease”
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Ding ware bowl, Northern Song dynasty
Ding ware bowl, 960–1126 C.E., Northern Song dynasty, China (Shanghai Museum of Art). Speakers: Dr. Kristen Brennan and Dr. Steven Zucker. Created by Smarthistory.
Video transcript
(jazzy piano music) - [Steven] We're in the ceramics galleries in the Shanghai Museum and we're looking at a Northern Song bowl. - [Kristen] It's a ding ware and in fact, ding ware always refers
to this white porcelain, one of the earlier porcelains. It was something that was
prized for its purity of color, its lightness of weight. - [Steven] The walls of
the ceramic bowl themselves are incredibly thin. This would have been thrown on a wheel and the glaze probably would've been added with a brush while it
was still on the wheel. The walls are even, and there's this beautiful
elegant S curve to the edge. - [Kristen] The body was
made out of kaolin clay, the material of porcelain
so that it could be fired at high temperatures and glazed. One of the telltale marks of a ding ware is this metal around the rim. - [Steven] So that dark line
at the very lip of the bowl is a thin piece of metal that's been wrapped around that edge, and that's added to cover
the unglazed section at the very lip because
these would have been fired in a stacked manner. And so the glaze would not
have been allowed to touch the rim itself. - [Kristen] So if the artisans were then going to submit these
to the court for use, they would need that rim in
order to use it as tableware. - [Steven] The S-curve of
the contour of the bowl is echoed by the incising of
the decoration within the bowl. You can see that there are
reeds and there are two geese with wonderful S-curve necks. - [Kristen] It's very elegant,
not at all ostentatious. - [Steven] You can see
that not only in its shape, but in the evenness of the glazing, in the sensuous warmth of the white color of the glaze itself, and
then in the refined incising. - [Kristen] The whiteness of jade, the purity and the
translucence of the form. You can see the refined aesthetic of the Northern Song dynasty court. (jazzy piano music)