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Art of Asia
Course: Art of Asia > Unit 2
Lesson 15: Ming dynasty (1368–1644)- Ming dynasty (1368–1644), an introduction
- An introduction to the Ming dynasty (1368–1644)
- Technology during the Ming dynasty (1368–1644)
- Spirit path to the tomb of the first Ming Emperor
- Red so rare it was lost to time —a ritual Ming dish
- The Forbidden City
- The Forbidden City
- Wang Lü among the peaks, Ming paintings of Mt. Hua
- The Abduction of Helen Tapestry
- Standing figure of Guanyin as Buddha
- Covered jar with fish in lotus pond
- Classical gardens of Suzhou
- Song of the morning
- Whirling Snow on the River Bank
- Shen Zhou, A Spring Gathering
- Shakyamuni, Laozi, and Confucius
- Congyi, Cloudy Mountains
- Qiu Ying, Journey to Shu
- Copy after Qiu Ying, Playing the Zither Beneath a Pine Tree
- Palace Women and Children Celebrating the New Year
- Eleven Dragons handscroll
- Wang Wen, Poem in cursive script
- Li (tripod)-shaped cloisonné incense burner
- Canteen
- ‘Kraak’ bowl, from Jingdezhen
- Brushrest with Arabic inscription
- Miniature figurines and furniture in a Ming Tomb
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Spirit path to the tomb of the first Ming Emperor
Ming Xiaoling Mausoleum, the tomb of the Hongwu Emperor, Zhu Yuanzhang (the first Ming emperor), Nanjing, begun 1381
A conversation with Dr. Kristen Brennan and Dr. Beth Harris. Created by Smarthistory.
Video transcript
(upbeat music) - [Kristen] We're standing
at the monumental entranceway of the tomb of the first Ming emperor. - [Beth] And the Ming
emperor, Zhu Yuanzhang, was somebody who had have come to power in the Nanjing area,
established Nanjing as the seat of his power. - [Kristen] And Nanjing
means South Capitol. And this is opposed to the
northern capital of China, which is today known as Beijing. - [Beth] This idea of establishing a power base in the south. Keep in mind prior to this,
we had the Mongol dynasty, the Yuan dynasty, which
was based in the north in the area of Beijing now. When Zhu Yuanzhang
established his court here, this was meant to be the
cosmopolitan courtly center. - [Kristen] We're now in
a square pavilion known as the Square City and inside we see an enormous stone stele,
at its base, a tortoise . - [Beth] Called bixi. This tradition goes way back. This idea that they carry
these commemorative stele into the afterlife. That's something that we see
in tombs for hundreds of years. This is something that his fourth son, the Yongle Emperor, wanted
to inscribe on stone so that his virtues would
be extolled for eternity. - [Kristen] So all the great
things about the emperor, all of his virtues are listed here. - [Beth] You can actually still make out the inscription today. This idea of commemorating
his virtues, his merit, and for him to be remembered
like this forever. - [Kristen] So we have this long tradition in Chinese history of a sacred way, of a pathway that leads to the tomb. And the tomb is a tumulus,
a large mound of earth. So as we process down the spirit path, we encounter six pairs of animals, - [Beth] And then four
pairs of first military and then civil officials. - [Kristen] There are two
sets of each kind of animal, and the first time you encounter
the animal, it's kneeling. The second time you
encounter it, it's standing. - [Beth] They're not just normal animals. We have a combination of power animals, lions, camels, elephants, these large animals of royalty, horses, which were used for
tribute, imperial steeds, but in between each of
those real life animals, we also have mythical creatures. We have a xiezhi, righteous beast. Qilin, which is a mythical unicorn, and these are all omens. These are all righteous animals that suggest the
benevolence of this emperor, and then four pairs of first military, and then civil officials. - [Kristen] So the two parts
of the support of the empire - [Beth] The wen and the wu, this idea of the military and the civil, these arms of the government
supporting the emperor. And they're all lined
up here at the ready, as we're moving up the path, up this, what they're called the Wenzhong Path, leading up to the mausoleum. And this one's a little bit unique simply because it's not a direct path. We have a little turn in between the animals and the officials. And that's because there are
other tombs in this area. And perhaps why Zhu Yuanzhang's
tomb was also placed here, near the tombs of previous emperors who based their capital in Nanjing. - [Kristen] We've just walked through one of several gates and we're
approaching the second stele. - [Beth] This stele is by
a Ching dynasty emperor, the dynasty that followed the Ming, and this emperor, the Kangxi Emperor, wrote in 1699 that in honor
of the Ming dynasty emperor, Hongwu, he ran the state better than the Tang dynasty and
Song dynasty emperors. - [Kristen] So not only are
we processing along a path, we're also moving up. We've ascended three levels
to this sacrificial hallway. - [Beth] And this would be
the main area for sacrifices. We saw buildings and
structures along the side for smaller sacrifices and
for additional rituals. This is the main sacrifice hall as we proceed closest to the tomb. - [Kristen] And now we
have descended the stairs from the sacrificial hall
platform and approach a red gate. - [Beth] This gate's important because it marks the procession
from the ritualistic space to something that's a little
bit more like the residence. - [Kristen] And this reminds
us of thousands of years of Chinese tradition of
understanding the afterlife, as life continuing very much in the way that it did in the earthly realm. And now we're passing over a bridge - [Beth] And this bridge is this idea of ascending into the
realm of the immortals. We know that we're getting
close to the tumulus because we're moving over this
very gently sloping bridge and then met with this foreboding wall. - [Kristen] With a small entryway
and a giant tower on top. - [Beth] That red is not
just an auspicious, young, or masculine energy, the color of blood, it's this life giving color, but it's also a reference
to the Ming imperial family. The surname of the Hongwu
Emperor, Zhu Yuanzhang, was Zhu, which is the word for vermilion. And so it became the imperial color. - [Kristen] So let's walk
through that entryway and up those stairs and see what we find. We can see a crenelated wall. If it reminds us of a fortress. - [Beth] This idea is specifically to protect the emperor in the afterlife. We can see the tumulus, held in by a retaining wall The emperor, the empress, his concubines, all in this giant mound. - [Kristen] None of
this has been excavated, likely the emperor and
his family were buried with fabulous grave goods. - [Beth] Even though we haven't
even gotten inside the tomb, we still can see from the architecture how these rituals continued over time. This idea of pleasing the ancestors and of caring for the
deceased in the afterlife. (upbeat music)