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Art of the Americas to World War I
Course: Art of the Americas to World War I > Unit 7
Lesson 8: Sculpture and architecture- Hiram Powers, The Greek Slave
- Hiram S. Powers, The Greek Slave
- William Wetmore Story, Cleopatra
- Thomas Crawford, George Washington Equestrian Monument
- Mission San Antonio de Valero & the Alamo
- Slave Burial Ground, University of Alabama
- Seneca Village: the lost history of African Americans in New York
- Olmsted and Vaux, Central Park
- Representing freedom during the Civil War
- Edmonia Lewis, The Old Arrow Maker
- Edmonia Lewis, Forever Free
- Cultures and slavery in the American south: a Face Jug from Edgefield county
- David Drake, Double-handled jug
- The Little Round House at the University of Alabama
- Snakes and petticoats? Making sense of politics at the end of the Civil War
- Carving out a life after slavery
- The light of democracy — examining the Statue of Liberty
- Monument Avenue and the Lost Cause
- Defeated, heroized, dismantled: Richmond's Robert E. Lee Monument
- Burnham and Root, The Monadnock Building
- Burnham and Root, Reliance Building
- Louis Sullivan and the invention of the skyscraper
- Carrère & Hastings, The New York Public Library
- Mark Hopkins House Side Chair (Herter Brothers)
- Robert Mills and Lieutenant Colonel Thomas Lincoln Casey, Washington Monument
- Shrady and Casey, Ulysses S. Grant Memorial
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Edmonia Lewis, The Old Arrow Maker
Edmonia Lewis, The Old Arrow Maker, modeled 1866, carved c. 1872, marble, 50.8 x 35.6 x 35.6 cm (Crystal Bridges Museum of American Art).
A conversation with Dr. Mindy Besaw, Curator, American Art and Director of Fellowships and Research, Crystal Bridges Museum of American Art, and Dr. Beth Harris. Created by Smarthistory.
A conversation with Dr. Mindy Besaw, Curator, American Art and Director of Fellowships and Research, Crystal Bridges Museum of American Art, and Dr. Beth Harris. Created by Smarthistory.