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Art of the Americas to World War I
Course: Art of the Americas to World War I > Unit 7
Lesson 2: Romanticism in the United States- Allston, Elijah in the Desert
- Wilderness, settlement, and American identity
- Thomas Cole, Expulsion from the Garden of Eden
- Thomas Cole, The Oxbow
- Thomas Cole, The Oxbow
- Cole's The Oxbow
- Hicks' The Peaceable Kingdom as Pennsylvania parable
- Catlin, The White Cloud, Head Chief of the Iowas
- It's not only about the American Revolution, Leutze's Washington Crossing the Delaware
- Leutze, Washington Crossing the Delaware
- Jasper Francis Cropsey, Mount Jefferson, Pinkham Notch, White Mountains
- Picturing Spanish conquest in an era of U.S. expansion
- Revisiting a frozen sea
- Envisioning Manifest Destiny, Leutze's Westward the Course of Empire
- The painting that inspired a National Park
- Church, Niagara and Heart of the Andes
- Science, religion, and politics, Church's Cotopaxi
- Lane, Owl's Head, Penobscot Bay, Maine
- Hetch Hetchy, Yosemite, and the battle for National Parks
- A dream of Italy: Black artists and travel in the nineteenth century
- Romanticism in the United States
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Hetch Hetchy, Yosemite, and the battle for National Parks
Albert Bierstadt's painting, "Hetch Hetchy Valley, California," captures the beauty of a valley now lost to a dam built in 1923. The artwork reflects America's struggle between development and preserving nature. Bierstadt's work also highlights the displacement of Native Americans, adding a layer of historical context.
Want to join the conversation?
- Activist art of the early 20th century on display in the 21st. What activist art of the 21st century will be on display in the 23rd?(3 votes)
- From the author:What a great question, interesting in part because we can't know.(1 vote)
- Why can't we not visit hetch hetchy valley any more?(1 vote)
- From the author:The valley floor is now underwater. Watch the video to find out why.(3 votes)
Video transcript
(gentle music) - [Narrator] We're in the
galleries at the Wadsworth Atheneum looking at a large
painting by Albert Bierstadt called the Hetch Hetchy
Valley, California. When we think about the amazing
national parks out west, we might think about
Yosemite, and in fact, Hetch Hetchy is within the
boundaries of Yosemite. Hetch Hetchy Valley was
formed by the same glaciers that formed Yosemite Valley. - [Narrator] You have incredible cliffs, beautiful autumn foliage, and the Ptolemy River meandering quietly. - [Narrator] But we
can't go visit it anymore and look at this same scene. - [Narrator] Hetch Hetchy
Valley was damned in 1923 in order to provide
water supply for the city of San Francisco. - [Narrator] So if we were
gonna go look at this now, we would see those
towering granite cliffs, but where the valley is
is an enormous reservoir. - [Narrator] It's been
completely flooded so all of what you see in the middle ground and in the distance is underwater. - [Narrator] There was a
huge public outcry about this and quite a battle between
those who wanted to protect this valley, but
others who felt that the need for water for the growing
city of San Francisco was a priority. - [Narrator] Naturalists like
John Muir visited Hetch Hetchy Valley and sang its praises
and soon began to fear what would happen if this dam was built. - [Narrator] There was such
rapid development in America throughout the 19th century
and one of the things that we see in American landscape painting is this feeling that we're
watching Americans develop the land and create
industry and create wealth but at the same time, we're watching this landscape disappear. - [Narrator] Bierstadt
earlier in his career was part of a geological survey to
help reveal to easterners what the west looked like. - [Narrator] These were remote
places, people on the east coast were reading about them
in newspapers and magazines and in books, but seeing
a painting by Bierstadt in full color on a grand scale captured people's imagination. - [Narrator] That sense that
god created nature is so important to the Hudson
River School painters, but ironically, was also
part of manifest destiny and it led to westward migration, which would impact the same land. - [Narrator] And I think
Bierstadt does give us that sense that the west was this
place that was an Eden, it was god's cathedral, it
was a place where you could escape from the turmoil of modern life. - [Narrator] But at the same time, the idea that this was uncharted territory was a misconception
because indigenous peoples, Native Americans, had
long lived in this area and were in fact forever
impacted by westward migration. It's been suggested that in
the center of the painting, these puffs of smoke were
part of an Indian encampment which is possible, but at this point, in the late 19th century,
the area had been largely affected by the displacement
of indigenous peoples and Bierstadt was part of a generation that attempted to document the
customs of Native Americans and what he considered
to be a vanishing people. - [Narrator] So here we
are in the early 1870s. - [Narrator] The west as
an idea becomes apparent after the Civil War,
where artists were aware of the increased access to the west. There was also this emerging
interest in vanishing cultures, whether that was the American
cowboy or Native Americans and the idea that the east
was an area of conflict and the west was an area
of promise and escape holds strong for someone
like Albert Bierstadt. - [Narrator] The mountains
fade back into luminous mist and there's a softness to the forms, but we've got detail in the
foreground, specificity, of leaves of trees, of moss. - [Narrator] Bierstadt has
a wonderful tiny inclusion on the lower left of a
figure who appears to be holding a sketchbook and surveying the Hetch Hetchy Valley before him. The figure may be a
stand-in for the artist, who it may be a stand-in
for how the country was looking west after the Civil War. - [Narrator] John Muir, when
he talked about Hetch Hetchy described it in beautiful terms. "Hetch Hetchy Valley is
a grand landscape garden, "one of nature's rarest and
most precious mountain temples. "The sublime rocks of its
walls seem to glow with life, "whether leaning back in
repose or standing erect "in thoughtful attitudes,
giving welcome to storms "and calms alike, their brows in the sky, "their feet set in the groves,
and gay flowery meadows, "while birds, bees, and
butterflies help the river "and waterfalls to stir
all the air into music." - [Narrator] Since that
time, environmentalists have bemoaned the fact that
this area was dammed. - [Narrator] There are a
lot of efforts to restore Hetch Hetchy Valley, to remove the water, to allow the plants
and trees to grow back. Muir did say, when the battle
for Hetch Hetchy was lost, "The long drawn out battle
for nature's gardens "has not been thrown away. "The conscience of the whole
country has been aroused "from sleep and from outrageous evil, "compensating good in some
form must surely come." So the idea of what could
be lost was very clear in the public mind thanks to Hetch Hetchy. (gentle music)