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Art of the Americas to World War I
Course: Art of the Americas to World War I > Unit 4
Lesson 2: Viceroyalty of New Spain- An introduction to New Spain
- Hispaniola’s early colonial art, an introduction
- Prints and Printmakers in Colonial New Spain
- The Bug That Had the World Seeing Red
- The Medici collect the Americas
- Virgin of Guadalupe
- Virgin of Guadalupe
- Defensive saints and angels in the Spanish Americas
- Elite secular art in New Spain
- Classical Architecture in Viceregal Mexico
- Hearst Chalice
- Puebla de los Ángeles and the classical architectural tradition
- La Casa del Deán in Puebla
- Mission churches as theaters of conversion in New Spain
- St. Michael the Archangel in Huejotzingo
- The convento of Acolman
- Murals from New Spain, San Agustín de Acolman
- Atrial Cross, convento San Agustín de Acolman, mid-16th century
- Atrial Cross at Acolman
- The Codex Huexotzinco
- Miguel González, The Virgin of Guadalupe
- Frontispiece of the Codex Mendoza
- Images of Africans in the Codex Telleriano Remensis and Codex Azcatitlan
- The Convento of San Nicolás de Tolentino, Actopan, Hidalgo
- Bernardino de Sahagún and collaborators, Florentine Codex
- Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy
- Featherworks: The Mass of St. Gregory
- A Renaissance miniature in wood and feathers
- A shimmering saint, St. John in featherwork
- “Burning of the Idols,” in Diego Muñoz Camargo’s Description of the City and Province of Tlaxcala
- Map of Cholula, from the relaciones geográficas
- Engravings in Diego de Valadés’s Rhetorica Christiana
- The manuscripts of Luis de Carvajal
- Baltasar de Echave Ibía, The Hermits
- Mission Church, San Esteban del Rey, Acoma Pueblo
- Sebastián López de Arteaga, Marriage of the Virgin
- Cristóbal de Villalpando, View of the Plaza Mayor of Mexico City
- Talavera poblana
- Biombo with the Conquest of Mexico and View of Mexico City
- Screen with the Siege of Belgrade and Hunting Scene (Brooklyn Biombo)
- Screen with the Siege of Belgrade and Hunting Scene (or Brooklyn Biombo)
- The Virgin of the Macana and the Pueblo Revolution of 1680
- Miguel de Herrera, Portrait of a Lady
- José Campeche, the portraitist of 18th-century Puerto Rico
- José Campeche y Jordán, Portrait of Governor Ramón de Castro
- José Campeche, Exvoto de la Sagrada Familia
- Juan Patricio Morlete Ruiz, Christ Consoled by Angels
- Mission San Antonio de Valero & the Alamo
- Nativity group, from Guatemala
- Jerónimo de Balbás, Altar of the Kings (Altar de los Reyes)
- Miguel Cabrera, Virgin of the Apocalypse
- Cabrera, Portrait of Sor Juana Inés de la Cruz
- Casta paintings: constructing identity in Spanish colonial America
- Spaniard and Indian Produce a Mestizo, attributed to Juan Rodriguez
- Church of Santa Prisca and San Sebastian, Taxco, Mexico
- Crowned nun portraits, an introduction
- Crowned Nun Portrait of Sor María de Guadalupe
- Escudos de monjas, or nuns’ badges, in New Spain
- Christ Crucified, a Hispano-Philippine ivory
- Saintly violence? Santiago in the Americas
- What does the music of heaven sound like?— St Cecilia in New Spain
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Virgin of Guadalupe
Virgin of Guadalupe, late 17th century, 190 cm high, oil paint, gilding, and mother of pearl on panel (Franz Mayer Museum, Mexico City). Speakers: Dr. Lauren Kilroy-Ewbank and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.
Want to join the conversation?
- I wonder what happened to Jaun Deigo after he opened his cloak?(3 votes)
- "When he(Juan Diego) stepped before the bishop and opened his cloak, the roses—Castilian roses (which are not native to Mexico) spilled forth. Imprinted on the tilma was an image of the Virgin Mary herself, known today as the Virgin of Guadalupe"(Khan Academy).(2 votes)
- For a Spanish project I was asked to compare the Virgin of Guadalupe Holiday with a holiday or custom in American culture. Any Ideas?(2 votes)
- How about finding and printing out a good picture of the Virgin of Guadalupe and pasting it onto a board. Then choose one of the visual icons of a North American cultural festival.... say, a groundhog, uncle Sam, a veteran, an Easter Bunny, Santa, or someone else like that. On a board in between the two, draw lines from one feature of the Virgin to a corresponding feature on the Easter bunny (or Santa, or a veteran, or uncle Sam, etc......) Where you find correspondences the line will do the work. Where there are differences, you may have to write something.(3 votes)
- Who was the person who made this replica?(1 vote)
- idk njnjnjnjnj jnj njn j n nunu(1 vote)
- So at, it says that the beloved is viewed, by Christians, as the Virgin Mary in song of songs, that's actually not true. Song of Songs was written by the Old Testament King Solomon and it's a poem/wedding song about love. it talks about two people who are about to get married, but is also interpreted as the love between Christ and His church. 2:44http://www.bible-history.com/old-testament/bookofsongofsolomon.html(1 vote)
- who made the de lupe pay(0 votes)
- The original was a miracle. All subsequent depictions are imitations. Read the miracle story here:
In December 1531, a converted Nahua man named Juan Diego was on his way to mass. As he walked on the hill of Tepeyac(ac), formerly the site of a shrine to the Aztec mother goddess Tonantzin, Guadalupe appeared to him as an apparition, calling him by name in Nahuatl, the language of the Nahua. According to one textual account written in Nahuatl, Juan Diego described her as dark-skinned, with “Garments as brilliant as the sun.” She requested that Juan Diego ask the bishop, Juan de Zumárraga, to construct a shrine in her honor on the hill. After recounting the story, the bishop did not believe Juan Diego and requested proof of this miraculous appearance. After speaking again with Guadalupe on two other occasions, she informed Juan Diego to gather Castilian roses—growing on the hillside out of season—inside his tilma, or native cloak made of maguey fibers, and bring them to the bishop. When Juan Diego opened his tilma before Bishop Zumárraga the roses spilled out and a miraculous imprint of Guadalupe appeared on it.(1 vote)
Video transcript
(gentle piano music) - [Voiceover] We're in
the Franz Mayer Museum in Mexico City, and we're looking at an image
of the Virgin of Guadalupe. This is a replica of the
original miraculous image, which is in the Basilica of Guadalupe here in Mexico city. - [Voiceover] And so
this particular image, it's not solely a painting, it's actually what's called enconchado, or mother of pearl shell inlaid, in this case, into wood. - [Voiceover] That mother of pearl creates a reflective, iridescent
surface that flickers and changes as your eyes move across it that certainly suggests the
heavenly and the divine. - [Voiceover] She's shrouded in sunlight. She has stars on her cloak. This is imagery that comes
from the book of Revelation, talking about the woman of the Apocalypse who was similarly shrouded in the sun, and had stars around her head, which have here been
placed onto her cloak. - [Voiceover] And that she
was standing on the moon, which we also see below her, supported by the figure of an angel. So the Virgin of Guadalupe
miraculously appeared to an indigenous man named Juan Diego. This is only 10 years after
Spain defeats the Aztecs. - [Voiceover] And when
she appears to Juan Diego on top of the Hill of Tepeyac, which you can still go to today, which is where the Basilica is located. When she appears to him, she speaks in his language, which was Nahuatl, and she tells him to go to the Bishop and to put a shrine in
her honor at this hill. - [Voiceover] So this is a moment in time when the Spanish are intensely converting the indigenous peoples, and this miraculous vision
to an indigenous person confirmed the correctness
of replacing religions that were here with Christianity. - [Voiceover] And in
fact, the hill had in fact been a location for an Earth Mother deity, where there had been a temple. After Juan Diego goes to the Bishop, the Bishop does not believe him, and this happens several more times before the Virgin tells Juan Diego to gather up Castilian roses
in his tilmar, his cloak, and to bring them to the Bishop as a sign that she is actually
appearing to Juan Diego, and when he opens his tilmar, this cloak, before the Bishop, not only do the roses fall out, but the miraculous image of
Guadalupe is imprinted on it. - [Voiceover] And that's the image that's in the Basilica of Guadalupe today. - [Voiceover] And we're
seeing the replica of here. She has this ashen skin where she is known as the Dark Virgin, which has several layers of meaning. For one, it relates to the
Old Testament Song of Songs where the beloved says, "I
am black but beautiful," and this woman in the Song of Songs is then read by Christians as
an analog for the Virgin Mary. - [Voiceover] But it's also
significant here in Mexico-- - [Voiceover] Because
there is the darker skin. She's become this indigenous advocation of the Virgin Mary. - [Voiceover] She's so
popular here in Mexico. She's the patron saint of Mexico City. She was thought to have
performed many, many miracles even after the initial
miracles with Juan Diego. - [Voiceover] She becomes
the co-patroness of New Spain in 1737 after she intervenes in horrible epidemics that
were killing lots of people. And so she really has
become this major symbol not only of Mexico, but Mexican identity, and I think what's important here is this enconchado is helping to create an even more sacred image of Guadalupe. (gentle piano music)