Main content
Art of the Americas to World War I
Course: Art of the Americas to World War I > Unit 4
Lesson 2: Viceroyalty of New Spain- An introduction to New Spain
- Hispaniola’s early colonial art, an introduction
- Prints and Printmakers in Colonial New Spain
- The Bug That Had the World Seeing Red
- The Medici collect the Americas
- Virgin of Guadalupe
- Virgin of Guadalupe
- Defensive saints and angels in the Spanish Americas
- Elite secular art in New Spain
- Classical Architecture in Viceregal Mexico
- Hearst Chalice
- Puebla de los Ángeles and the classical architectural tradition
- La Casa del Deán in Puebla
- Mission churches as theaters of conversion in New Spain
- St. Michael the Archangel in Huejotzingo
- The convento of Acolman
- Murals from New Spain, San Agustín de Acolman
- Atrial Cross, convento San Agustín de Acolman, mid-16th century
- Atrial Cross at Acolman
- The Codex Huexotzinco
- Miguel González, The Virgin of Guadalupe
- Frontispiece of the Codex Mendoza
- Images of Africans in the Codex Telleriano Remensis and Codex Azcatitlan
- The Convento of San Nicolás de Tolentino, Actopan, Hidalgo
- Bernardino de Sahagún and collaborators, Florentine Codex
- Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy
- Featherworks: The Mass of St. Gregory
- A Renaissance miniature in wood and feathers
- A shimmering saint, St. John in featherwork
- “Burning of the Idols,” in Diego Muñoz Camargo’s Description of the City and Province of Tlaxcala
- Map of Cholula, from the relaciones geográficas
- Engravings in Diego de Valadés’s Rhetorica Christiana
- The manuscripts of Luis de Carvajal
- Baltasar de Echave Ibía, The Hermits
- Mission Church, San Esteban del Rey, Acoma Pueblo
- Sebastián López de Arteaga, Marriage of the Virgin
- Cristóbal de Villalpando, View of the Plaza Mayor of Mexico City
- Talavera poblana
- Biombo with the Conquest of Mexico and View of Mexico City
- Screen with the Siege of Belgrade and Hunting Scene (Brooklyn Biombo)
- Screen with the Siege of Belgrade and Hunting Scene (or Brooklyn Biombo)
- The Virgin of the Macana and the Pueblo Revolution of 1680
- Miguel de Herrera, Portrait of a Lady
- José Campeche, the portraitist of 18th-century Puerto Rico
- José Campeche y Jordán, Portrait of Governor Ramón de Castro
- José Campeche, Exvoto de la Sagrada Familia
- Juan Patricio Morlete Ruiz, Christ Consoled by Angels
- Mission San Antonio de Valero & the Alamo
- Nativity group, from Guatemala
- Jerónimo de Balbás, Altar of the Kings (Altar de los Reyes)
- Miguel Cabrera, Virgin of the Apocalypse
- Cabrera, Portrait of Sor Juana Inés de la Cruz
- Casta paintings: constructing identity in Spanish colonial America
- Spaniard and Indian Produce a Mestizo, attributed to Juan Rodriguez
- Church of Santa Prisca and San Sebastian, Taxco, Mexico
- Crowned nun portraits, an introduction
- Crowned Nun Portrait of Sor María de Guadalupe
- Escudos de monjas, or nuns’ badges, in New Spain
- Christ Crucified, a Hispano-Philippine ivory
- Saintly violence? Santiago in the Americas
- What does the music of heaven sound like?— St Cecilia in New Spain
© 2023 Khan AcademyTerms of usePrivacy PolicyCookie Notice
An introduction to New Spain
Speakers: Dr. Lauren Kilroy-Embank and Dr. Steven Zucker — learn more art history on http://www.smarthistory.org. Created by Beth Harris and Steven Zucker.
Want to join the conversation?
- when was this video posted?(0 votes)
- Cite this page as: Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker, "New Spain, an introduction," in Smarthistory, February 24, 2017, accessed May 28, 2022,(2 votes)
Video transcript
(light piano music) - [Male Narrator] We're in the Cathedral of Our Lady of the Assumption, the main cathedral in Mexico City which stands on the ruins
of the old Aztec capital but was transformed into a new capital, the capital of New Spain. - [Woman Narrator] New Spain
was a Spanish viceroyalty. A viceroyalty is basically
a political entity under the Spanish crown and
it was ruled by a viceroy. - [Male Narrator] This
is stand-in for the king. - [Woman Narrator] So, let's
go back in time a little bit, and talk about the events
of the Spanish Conquest that led to the establishment of this viceroyalty of New Spain. - [Male Narrator] We
can begin with Columbus bumping into the Americas as he's trying to get to
what he would have called the Indies, that is to Asia. - [Woman Narrator] And decades later, Hernan Cortes, had heard
these tales of gold. And so, illegally, left Cuba, arrived on the coast of Veracruz, the Gulf Coast of Mexico,
and made his way inland, and as he did that, he
encountered numerous people who were angry at the
Mashika, or the Aztecs, whose capital city was
here, in Tenochtitlan, what today is Mexico City. - [Male Narrator] So, Cortes,
was really off on an adventure to enrich himself and
what he found was one of the largest, most
impressive cities in the world. - [Woman Narrator] And
have lots of accounts of what happened during those years. But in the end, in 1521, the Aztecs were defeated by the Spaniards and we have the beginning
of what we call, New Spain. - [Male Narrator] It was
important for the Spanish that they convert the Aztecs,
and other peoples here, to Christianity, to Catholicism. They, of course, imposed political order and took control of the
vast natural resources of the American continents. - [Woman Narrator] One
of the clearest ways that they had tried to signal this change in political and religious
order was building on top of former pagan temples, or sites. So, the earliest cathedral
was actually constructed using stones from the sacred
precinct of the Aztec capital, Tenochtitlan, and you see
this across New Spain. The earliest Christian
buildings are typically made reusing former indigenous temple stones. - [Male Narrator] And they were
built by indigenous peoples. So the labor was indigenous,
the materials were indigenous, but, of course, the religion was imported. And these weren't any Christians, these were Spanish
Catholics that had recently, and successfully, retaken
Spain from the Muslims. - [Woman Narrator] And
this reconquest atmosphere is something that came across the Atlantic with the Spanish Conquistadors. And so, this strategy of building on top of former pagan temples
and reusing the stones is a strategy that we see
being employed in Spain. A great example would be
the great Mosque of Cordoba which now has a Christian church built and placed inside of it. - [Male Narrator] And just
as the Spanish used force to retake Spain from the Muslims, the efforts to Christianize,
here, in the New World, were violent and resulted
in tremendous bloodshed. - [Woman Narrator] That,
coupled with epidemics, the introduction of say, smallpox, here to the populations of the
Americas were devastating. - [Male Narrator] Let's
spend a moment talking about the scope of New Spain. New Spain reached as far
north as Northern California. I think, for instance, of
the name San Francisco, Saint Frances, or as far
south as Central America. - [Woman Narrator] If we
think of the width of it, not only California, but
reaching all the way to Texas. So, you have this vast territory. What you typically see, though,
is people were referring to the Spanish viceroyalty of
New Spain as Colonial Mexico. And so, it's typically
used as a shorthand term. - [Male Narrator] The Spanish
wanted control of this land not only because they wanted
to covert these souls, but because of the incredible
wealth that was here. The Spanish imported gold. They imported silver from the New World, but they also imported a whole
series of new food stocks, including corn and tomatoes and
potatoes from South America. - [Female Narrator] And chocolate. - [Male Narrator] And
Cochineal, which was an insect that produced a brilliant
red that was sought after. - [Woman Narrator] There
were trade networks going from New Spain to Asia, particularly through the Philippines And Manila. And so, you have this vast
global network of trade. - [Male Narrator] New
Spain was the central point between the Atlantic trade
and the Pacific trade. - [Woman Narrator] Eventually,
New Spain will become a very cosmopolitan place because you not only have many
different European peoples and Amerindian peoples,
but you also have peoples from Asia and a significant number of enslaved Africans, here. - [Male Narrator] So, when we
look at the art of New Spain, of this incredibly sophisticated
and complex culture that has its roots in
complex, indigenous cultures that has the overlay of
the conquering Spaniards that has imports from
East Asia, from Europe, and becomes tremendously wealthy. We look at an art that is truly original that draws globally,
but produces something that the world had never seen before. (light piano music)