Art of the Americas to World War I
- Introduction to the Aztecs (Mexica)
- More on the Aztecs (Mexica)
- Unearthing the Aztec past, the destruction of the Templo Mayor
- Templo Mayor at Tenochtitlan, the Coyolxauhqui Stone, and an Olmec Mask
- Codex Borgia
- Tlaloc vessel
- Serpent mask of Quetzalcoatl or Tlaloc
- The Sun Stone (The Calendar Stone)
- Coyolxauhqui Stone
- Monolith of Tlaltecuhtli (Earth Lord)
- Double-headed serpent
- The House of the Eagles, and sculptures of Mictlantecuhtli and Eagle Warrior
- Eagle Warrior (Mexica)
- Stone kneeling figure of Chalchiuhtlicue
- Mosaic mask of Tezcatlipoca
- Brazier of Chicomecoatl
- Sacrificial Knife with Mosaic Handle and Chalcedony Blade
- Aztec art and feasts for the dead
- Feathered headdress
- Aztec feathered headdress: backstory
- Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy
- Painting Aztec History
by Dr. Naraelle Hohensee
This headdress is also called the Penacho of Moctezuma II. Moctezuma II’s headdress was first mentioned in a European inventory in 1596, when it was acquired by Austrian Archduke Ferdinand II von Tyrol. It was listed there as “a Moorish hat.” It was likely an object sent from Mesoamerica to Europe by Hernan Cortes, but it is unknown whether it actually belonged to Moctezuma II himself.
In the late nineteenth century, Austria established its first Museum of Natural History, with geologist Ferdinand von Hochstetter as its director. While searching for objects to display in the new museum, von Hochstetter found the headdress in Ambras Castle, Archduke Ferdinand’s former residence in Innsbruck, Austria. Since then, the headdress has been displayed in the ethnology museum in Vienna (now called the Weltmuseum Wien). In 2010, the Weltmuseum embarked on a restoration and research project on the headdress in conjunction with INAH (Instituto Nacional de Antropología e Historia, Mexico’s National Institute of Anthropology and History).
Over the last century and a half, the headdress has become an important touchstone for Mexican national and indigenous identity, and many Mexicans think it should be returned. Representatives and activists from Mexico have continuously made requests for its repatriation, but despite a deal almost struck in 2011, the Austrian authorities have as yet refused to officially allow the loan or return of the headdress to Mexico, claiming that the trip across the Atlantic would be too risky for the fragile object. As art historian Khadija von Zinnenburg Carroll writes,
Despite intensifying demands to repatriate the headdress from the 1980s, [the headdress] has remained a centerpiece in the modern museum….When I encountered [the headdress in Vienna] in 2012, after a major refurbishment project at the Museum für Völkerkunde and soon before the museum was renamed the Weltmuseum, the headdress was poised at an angle of 45 degrees in another new custom- built vitrine at the centre of a special exhibition titled Penacho: Pracht & Passion (Penacho: Glory & Passion). The exhibition, which granted free access to Mexican citizens and was accompanied by a Spanish version of the catalogue, focused on the art of museum conservation and studiously avoided any reference to the by-now vociferous repatriation lobby.
The replica of the headdress in Mexico City, which is featured in the video above, was created and installed in 1940.
“The Penacho of Moctezuma’s Repatriation Battle,” Pulsamérica, November 3, 2017
“Return of Aztec artifact may be model deal,” IOL, January 19, 2011
“The Fight to Bring Home the Headdress of an Aztec Emperor,” Atlas Obscura, September 26, 2017
Khadija von Zinnenburg Carroll, “The Inbetweenness of the Vitrine: Three parerga of a feather headdress,” in The Inbetweenness of Things, ed. Paul Basu (London: Bloomsbury, 2017
Want to join the conversation?
- if only male quetzal birds have three or more tail feathers then how many quetzals were used?(1 vote)
- wow they rrly just stole the headdress and dont wanna give it back(1 vote)