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Art of the Americas to World War I
Course: Art of the Americas to World War I > Unit 6
Lesson 2: Early Republic- John Trumbull, The Declaration of Independence
- Jean-Antoine Houdon, George Washington
- Jean-Antoine Houdon, George Washington
- Gilbert Stuart, The Skater
- Gilbert Stuart's Lansdowne Portrait
- Thomas Jefferson, Monticello
- Jefferson, Monticello
- Thomas Jefferson, Rotunda, University of Virginia
- An African muslim among the founding fathers, Charles Willson Peale’s Yarrow Mamout
- Charles Willson Peale, The Artist in His Museum
- Peale, Staircase Group (Portrait of Raphaelle Peale and Titian Ramsay Peale)
- John Vanderlyn, Ariadne Asleep on the Island of Naxos
- "We have met the enemy and they are ours."
- Clean water for a young Philadelphia
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"We have met the enemy and they are ours."
The painting "Perry's Victory on Lake Erie" by Thomas Birch captures a key moment in the War of 1812. It depicts a decisive American victory over the British, marking a turning point in the war and signaling the start of westward expansion. The painting's details and composition reflect the chaos and drama of the sea battle. Created by Beth Harris and Steven Zucker.
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Video transcript
(gentle piano music) - [Steven] We're in the rotunda an extraordinary 19th-century building, part of the Pennsylvania
Academy of the Fine Arts, looking at a very large painting of an important historical sea battle, Perry's Victory on Lake
Erie by Thomas Birch. This is not history painting. This is a painting of
a contemporary event. - [Anna] It's like the largest TV screen you could ever imagine.
(Steven laughing) It's like going to the movies. That's what seeing this painting at the Pennsylvania
Academy of the Fine Arts in 1814 would have been like. Seeing the news on a big
screen right before your eyes. - [Steven] And what we're
looking at is the battle, that according to some historians, turned the tide of the War of 1812. - [Anna] This was a very decisive victory for the Americans. Lake Erie is a connector
between British Canada and the United States. And one of the things that
the War of 1812 was about, was control of rivers, seas and lakes. These were the conduits of trade, these were the conduits of empire. It is a moment when the United
States builds up their Navy strong enough to beat the British fleet, the biggest naval power in the world. This is part of the
broader Napoleonic Wars. Wars that spanned continents. So it's important to realize that even though it is a decisive victory for the United States, it marks a tragic turning
point for Native Americans because this battle precedes the death of the great leader Tecumseh, who organized this confederacy
of Native American peoples in what was the Northwest Territories. And Native Americans, including Tecumseh, had been allied with the British. So when the Americans win this battle, they then start pushing west into the Northwest Territories. So this moment in 1814 is
a really decisive moment in the push to westward expansion and growing beyond the original colonies that hug the Eastern Seaboard to go west and gradually take over more
and more Native American lands. - [Steven] The composition of
this painting is unexpected. The main fighting is
taking place in the center, but in the distance and
slightly to the left. The ship that we're
focused on, the Lawrence, is a ship that's almost been abandoned. It's been disabled. You can see the cannon shot in the sails. - [Anna] It is almost a
ghost ship by this point. The rigging is torn, the
sails are falling apart, the American flag still flies prominently and proudly in the front of the canvas, but Perry has abandoned
this ship and he's moved on, moving into the middle distance. We see smoke, red flame from cannon, and we see the American flag
rising out of that smoke, and it's above these
two British union jacks, which are sinking closer
to the horizon line. We're at the turning point,
when all had seemed lost, we're about to claim victory. - [Steven] I look how the
artist is willing to obscure the very subject of
the painting the ships. It redirects our
attention to the confusion and the ambiguity that takes
place on the sea during war. - [Anna] This painting was painted right after the battle. So he would have had firsthand accounts, he would have read letters, he would have read journalistic accounts and he probably would have
seen military sketches. - [Steven] What was most
important, I think, for Birch is that he got the details right. Although Birch himself did not
have experience on the sea, he had enough experience looking at boats that he made sure that he
got the rigging correct, that he got the types of boats correct, that he got the specific
boats themselves correct. - [Anna] But it is the dramatic
smoke from the cannons, the waves. You can almost feel the
cold air of Lake Erie. And then, beautiful clouds. - [Steven] Birch is drawing on a tradition of marine painting that
is hundreds of years old by this time, and that comes
out of the Dutch tradition. And when I look at this painting, and I see the immense
amount of the canvas, it's given over to the sky, I can't help but think of
Dutch landscape painting. - [Anna] This battle scene
shows that the United States is going to be a player
on the world stage. They're not just going to
be clustered around New York and the burgeoning in Washington DC. They are gonna stretch north
to the trade routes of Canada, they're gonna stretch west into
Native American territories, and they're going to take
over Spanish territories to the south. - [Steven] So this relatively
small battle on Lake Erie, with less than 20 ships, has ramifications between the
United States and Britain, between Britain and France, and between the United States and the Native American nations. The importance of this
battle cannot be overstated. - [Anna] And a lot of
people do not realize the importance of the War of 1812 to shaping what would
become an American empire. (gentle piano music)