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Salvador Dalí, Metamorphosis of Narcissus, 1937, oil on canvas, 51.1 x 78.1 cm (Tate Modern, London) Speakers: Dr. Beth Harris and Dr. Steven Zucker


The ancient source of this subject is Ovid's Metamorphosis (Book 3, lines 339-507) tells of Narcissus who upon seeing his own image reflected in a pool so falls in love that he could not look away, eventually he vanishes and in his place is a "sweet flower, gold and white, the white around the gold."

Dalí's poem, below, accompanied the painting when it was initially exhibited:


in his immobility,

absorbed by his reflection with the digestive slowness of carnivorous plants,

becomes invisible.

There remains of him only the hallucinatingly white oval of his head,

his head again more tender,

his head, chrysalis of hidden biological designs,

his head held up by the tips of the water's fingers,

at the tips of the fingers

of the insensate hand,

of the terrible hand,

of the mortal hand

of his own reflection.

When that head slits

when that head splits

when that head bursts,

it will be the flower,

the new Narcissus,

Gala - my Narcissus

Created by Beth Harris and Steven Zucker.