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Modernisms 1900-1980
Course: Modernisms 1900-1980 > Unit 8
Lesson 11: American photography before WWII- Shigemi Uyeda's Reflections on the Oil Ditch: Getty Conversations
- Evans, Subway Passengers, New York City
- Ansel Adams: Visualizing a Photograph
- Behind the icon, Dorothea Lange's Migrant Mother
- Lotte Jacobi, Albert Einstein
- Harold Edgerton, Milk-Drop Coronet Splash
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Ansel Adams: Visualizing a Photograph
Ansel Adams talks about seeing and feeling photography. Love art? Follow us on Google+. Created by Getty Museum.
Want to join the conversation?
- What did Ansel Adams take a photograph of here? It looks to me to be the side of a house with some vines? Was there supposed to be any larger meaning here or am I missing something?(6 votes)
- Ansel Adams was known for his masterfully lit, intensely detailed photographic nature studies. One might perhaps say that the "larger meaning" of his work was to depict and magnify the subtle beauties and intricacies of the natural world. If you do a Google Image search, and enter the search terms: Ansel Adams close up nature, you'll see some excellent examples of his work of this kind. This short video provides insight into Ansel Adams' vision: he's focusing on a subject (vines/siding) that most people would have passed by.(11 votes)
Video transcript
(delicate piano music) - My basic approach to photography... depends on the visualization
of the final print before exposure is made. I say this very often, and I don't know whether people realize that's exactly what is meant. When you visualize a photograph, it is not only a matter of
seeing it in mind's eye... but it's also and primarily
a matter of feeling it, feeling the various qualities
that you wish to obtain in the final print. The shutter is operated. And then, the negative is developed. The negative can now be
compared to a musical score. It's ready for it's
performance, the print. If the negative is properly composed, technically and aesthetically,
it can be performed, so as to recreate the original
visualized intention... so that finally I can say
that I visualized the essence of the photograph to be.