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AP®︎/College Art History
Course: AP®︎/College Art History > Unit 2
Lesson 5: Christianity- Christianity, an introduction for the study of art history
- A New Pictorial Language: The Image in Early Medieval Art
- The life of Christ in medieval and Renaissance art
- Architecture and liturgy
- The audacity of Christian art: the problem with Christ | National Gallery
- The audacity of Christian art: Christ is not like a snail: Signs and symbols | National Gallery
- The audacity of Christian art: Putting God in His place: Here, everywhere, and nowhere | National Gallery
- The audacity of Christian art: Time and eternity: Yesterday, today, and always | National Gallery
- The audacity of Christian art: This world and the next: Christ on earth; Christ in heaven | National Gallery
- The audacity of Christian Art: So near and yet so far: Visions and thresholds | National Gallery
- The audacity of Christian art: Unspeakable images: When words fail | National Gallery
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The audacity of Christian art: Unspeakable images: When words fail | National Gallery
Christian art bravely uses imagery to convey complex ideas beyond words. This exploration of visual storytelling showcases the audacity and power of religious art.
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- The whole series was very well produced and presented, even though I don't accept her theological position. But I have one big question: if you could talk to the artists today what would they make of the films? Would they say "you've analysed my intentions and symbolism perfectly"? Or would they say "these ideas never crossed my mind while I was producing these paintings: you've added meanings I never intended"?(4 votes)
- You make a good point. I wonder if we might consider it through a slightly different lens. Rather than of paintings by people no longer alive to defend their original intent, consider preachers who may have to listen to recordings of their sermons and hear themselves, in the process of trying to proclaim one message, saying all sorts of things that are irrelevant or contradictory to their intent. It's possible that the artists in the series here, intending to show several things, also inadvertentl put in other things the interpretation of which was not at all what they meant to convey.(2 votes)
- Well produced but there were many statements that I thought were a bit misleading. So my question is this: What is the defining line between historical art hermeneutics and sophistry?(2 votes)
- Are you saying that God is giving us a message into pictures.(1 vote)
- Sundry and diverse manners to the ancestors, to us, and to our progeny.(1 vote)
- I am curious about the historic background and scholarship about the thesis being advanced. Is Dr. Reddaway's analysis of the intention of these paintings supported by current and past scholarship regarding the paintings? I have greatly enjoyed watching these videos and appreciated the ideas regarding the intentions of the painters that are expressed. I think the analysis is compelling but I wonder about whether there is any contemporary (to the era in which the painting was produced) evidence of this intention of the artist or whether there is subsequent (over the past 400+ years) scholarship to support the interpretations presented (if this were a book, there would be footnotes).(1 vote)
- You ask a good question, but this forum may not be the place where you can get the best answer. I suggest you go to https://www.nationalgallery.org.uk/research/about-research/art-and-religion/the-audacity-of-christian-art-film-series and poke around there to see if you might find either the footnote you seek, or the scholar who might direct you to it.(1 vote)