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Perforated Relief of Ur-Nanshe

By Dr. Senta German
Perforated relief of Ur-Nanshe, king of Lagash, limestone, Early Third Dynasty (2550–2500 B.C.E.), found in Telloh or Tello (ancient city of Girsu), 39 x 46.5 cm (Musée du Louvre; photo: Steven Zucker, CC BY-NC-SA 2.0)
Perforated relief of Ur-Nanshe, king of Lagash, limestone, Early Third Dynasty (2550–2500 B.C.E.), found in Telloh or Tello (ancient city of Girsu), 39 x 46.5 cm (Musée du Louvre; photo: Steven Zucker, CC BY-NC-SA 2.0)
More than 4,000 years ago, Ur-Nanshe, the chief priest and king, displayed his piety and power by building a temple. Archaeologists believe that the years 2800–2350 B.C.E. in Mesopotamia saw both increased population and a drier climate. This would have increased competition between city-states which would have vied for arable land. As conflicts increased, the military leadership of temple administrators became more important. Art of this period emphasizes a new combination of piety and raw power in the representation of its leaders. In fact, the representation of human figures becomes more common and more detailed in this era.
This
votive
plaque, which would have been hung on the wall of a shrine through its central hole, illustrates the chief priest and king of Lagash, Ur-Nanshe, helping to build and then commemorate the opening of a temple of Ningirsu, the patron god of his city. The plaque was excavated at the ancient city of Girsu. There is some evidence that Girsu was then the capital of the city-state of Lagash.
Detail, Perforated relief of Ur-Nanshe, king of Lagash, limestone, Early Third Dynasty (2550–2500 B.C.E.), found in Telloh or Tello (ancient city of Girsu), 39 x 46.5 cm (Musée du Louvre; photo: Steven Zucker, CC BY-NC-SA 2.0)
Detail, Perforated relief of Ur-Nanshe, king of Lagash, limestone, Early Third Dynasty (2550–2500 B.C.E.), found in Telloh or Tello (ancient city of Girsu), 39 x 46.5 cm (Musée du Louvre; photo: Steven Zucker, CC BY-NC-SA 2.0)
The top portion of the plaque depicts Ur-Nanshe helping to bring mud bricks to the building site accompanied by his wife and sons. The bottom shows Ur-Nanshe seated at a banquet, enjoying a drink, again accompanied by his sons. In both, he wears the traditional tufted woolen skirt called the kaunakes and shows off his broad muscular chest and arms.

Additional resources
Read a chapter in our textbook, Reframing Art History, about rethinking how we approach the art of the Ancient Near East.

Essay by Dr. Senta German

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