Art of Akkad, an introduction

Competition between Akkad in the north and Ur in the south created two centralized regional powers at the end of the third millennium.

This centralization was military in nature and the art of this period generally became more martial. The Akkadian Empire was begun by Sargon, a man from a lowly family who rose to power and founded the royal city of Akkad (Akkad has not yet been located, though one theory puts it under modern Baghdad).

This sculpture of an unidentified Akkadian ruler (some say it is Sargon, but no one knows) is one of the most beautiful and terrifying images in all of ancient Near Eastern art. The life-sized bronze head shows in sharp geometric clarity, locks of hair, curled lips, and a wrinkled brow. Perhaps more awesome than the powerful and somber face of this ruler is the violent attack that mutilated it in antiquity.

The kingdom of Akkad ends with internal strife and invasion by the from the Zagros mountains to the northeast. The Gutians were ousted in turn and the city of Ur, south of Uruk, became dominant. King Ur-Nammu established the third dynasty of Ur, also referred to as the Ur III period.

Read a chapter in our textbook, Reframing Art History, about rethinking how we approach the art of the Ancient Near East.